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狂鲨风暴
菲比·黛内芙,杰曼·翰苏,科斯塔·德安杰洛,马特·纳夫莱,惠特尼·皮克,艾莉拉·布朗,史泰西·克劳森,以利亚·昂格瓦里,安德鲁斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·汉森东北警察故事3
谢苗,林晓杰,崔志佳,黄米依,伍允龙,马千壹,张磊,冯瑶,唐鉴军,田娃,吴莫愁半夜叫你别回头2
梅琼,赵翊骁,姜梦茹,沈璐,李世杰,陆烟,张莹莹,寒丰,严佳茵,武朋总统的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj纳什维尔谋杀案
Sarah Zanotti,Nick Puya,科宾·蒂布鲁克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.与神对谈
大卫·斯特雷泽恩,布伦顿·思韦茨,耶尔·格洛格拉斯,Charlbi Dean Kriek,希尔·哈勃,博比·迪奇科,Meagan Kimberly Smith同类精选
寒战1994
吴彦祖,刘俊谦,吴慷仁,谢君豪,王丹妮,廖子妤,艾丹·吉伦,休·博纳维尔,周润发,郭富城,梁家辉,古天乐,元彪,叶童,陈以文,莫文蔚,周文健,陈家乐,白只,彭敬慈,朱鉴然,谭旻萱,何启华,杨乐文,邱士缙,魏浚笙,林嘉华,太保,杨天宇,高海宁,郑则仕,张可坚,麦沛东,陈湛文,陈伟雄,张达伦,栢天男,林家熙冰雪之行
马特·波莫,乔什·维金斯,比尔·普尔曼,亚历克斯·诺伊施泰特,莉莉·格莱斯顿,肯·怀特,斯科特·麦克米利恩阳光灿烂的日子
夏雨,宁静,陶虹,耿乐,斯琴高娃,冯小刚,刘小宁,姜文,王学圻,王朔,尚楠,方化,代少波,王海,姚二嘎,吴淑昆,左小青,韩冬,孙靖,刘斌,张维,杨彤林,王海,王福,胡贝贝,高保成,吴淑琨,张华,二勇,烈子,陈伟借口公司
菲利普·拉肖,艾洛蒂·丰唐,朱利安·阿鲁蒂,塔雷克·布达里,迪迪埃·布尔东,纳塔莉·贝伊,娜威尔·玛达尼,梅迪·萨东,樊尚·德扎尼亚,爱丽丝·杜富尔,菲利普·杜克斯纳,米歇尔·拉罗克,凯德·麦拉德,萨米·纳塞利,乔·普雷斯蒂亚,诺曼·塔沃,乔伊·斯塔尔鲸
布兰登·费舍,萨迪·辛克,周洪,泰·辛普金斯,萨曼莎·莫顿,实谛·史达仁,杰西·辛克人皮灯笼
梁家辉,邱淑贞,黄光亮,张耀扬,苑琼丹,黄斌,林迪安,乐韵影视排行
加里市
艾邦·摩斯-巴克拉赫,乔·博恩瑟,阿尤·艾德维利,莱昂内尔·博伊斯,艾比·艾略特,马蒂·马得胜,杰瑞米·艾伦·怀特,莉莎·科伦-扎亚斯,马琳·爱尔兰,吉莉安·雅各布斯,Nation Sage Henrikson,T.J. Jagodowski,Elisha Evans,Richard Gomez,Lisa Beasley设定在《熊家餐馆》故事之前，讲述Richie（艾邦·摩斯-巴克拉赫）和Mikey（乔·博恩瑟）一起去印第安纳州加里市出的一趟差。
我们埋葬死者
黛西·雷德利,布伦顿·思韦茨,马克·科尔斯·史密斯,马特·惠伦,Chloe Hurst,金姆·杰克逊,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大卫·佐纳,Matthew Parkin,Jimmy Duncan,Bruce Denny艾娃（黛西·雷德利 饰）是一名绝望的妇女，她的丈夫在一次灾难性军事实验后失踪，她加入了一个“尸体搜寻小组”，但当她埋葬的尸体开始出现生命迹象时，她的搜寻工作发生了令人毛骨悚然的转变。
创圣大天使：一发逆转篇
寺岛拓笃,嘉数由美,小林沙苗,森川智之,石冢运升,玉川纱己子,飞田展男,小野坂昌也,阪口大助,日笠山亚美,青森伸,矢尾一树,兵藤真子,杉田智和,斋贺光希,朴璐美,风间勇刀,佐藤裕美,四宫豪,仁科洋平,足立友,我妻正崇时长半小时的短片。故事是发生在TV版中途的番外篇，突出两位女主角的位置，并附带“歌姬”设定……主题曲延用TV版前半部的OP（但收录进剧场版时被取消）。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.