头等舱的极品女 紫色芳香
第一集：一位24岁的女子被带进房间，接受时尚采访。这位出身富裕家庭的家庭主妇嫁给了父亲在她年轻时安排的男人。她表示，丈夫总是把工作放在家庭之上，即使新婚也经常让她一个人待着，而且两人之间没有性关系。她勉强答应了丈夫展示内衣的要求，并表示自己对富家千金的生活感到好奇。然而，在她整洁的白色衬衫下，隐藏着令人意想不到的性感内衣和丰满的身材，即使是轻微的触碰，这位年轻家庭主妇那孤独的身体也会迅速兴奋起来。第二集：在丈夫表示他一直在等着采访美丽的妻子后，这位家庭主妇同意了采访。她回答了关于时尚和购物的问题，也毫不犹豫地谈论了她的丈夫。这位家庭主妇生活舒适，丈夫的恩情也很好，但她表示，两人交往已久。当被要求查看内衣作为服装检查的一部分时，她犹豫了一下，但很快就接受了。这位家庭主妇说，她内心并不孤独，但身体却很孤独，有时会自我安慰，但她很快就屈服于男人的触摸。我久违地第一次在别人的身体上感受到了难以置信的快艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线播放
剧情简介
第一集：一位24岁的女子被带进房间，接受时尚采访。这位出身富裕家庭的家庭主妇嫁给了父亲在她年轻时安排的男人。她表示，丈夫总是把工作放在家庭之上，即使新婚也经常让她一个人待着，而且两人之间没有性关系。她勉强答应了丈夫展示内衣的要求，并表示自己对富家千金的生活感到好奇。然而，在她整洁的白色衬衫下，隐藏着令人意想不到的性感内衣和丰满的身材，即使是轻微的触碰，这位年轻家庭主妇那孤独的身体也会迅速兴奋起来。第二集：在丈夫表示他一直在等着采访美丽的妻子后，这位家庭主妇同意了采访。她回答了关于时尚和购物的问题，也毫不犹豫地谈论了她的丈夫。这位家庭主妇生活舒适，丈夫的恩情也很好，但她表示，两人交往已久。当被要求查看内衣作为服装检查的一部分时，她犹豫了一下，但很快就接受了。这位家庭主妇说，她内心并不孤独，但身体却很孤独，有时会自我安慰，但她很快就屈服于男人的触摸。我久违地第一次在别人的身体上感受到了难以置信的快艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
人气佳作
群鸟之地
卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露未知土地
约克·马哈尼,Shirley Patterson,威廉·雷诺兹,亨利·布兰登十三
杰森·斯坦森,米基·洛克,雷·温斯顿,萨姆·赖利,50分,爱丽丝·巴雷特,盖比·霍夫曼,斯蒂芬·比奇,埃曼纽尔·施莱琪,小迈克尔·贝瑞,斯塔拉·本福德,黛西·塔汉,卡洛斯·雷格-普拉扎,福雷斯特·格里芬,艾德·伯格托德,大卫·札亚斯,查克·齐托,安东尼·奇泽姆,阿伦·戴维森,斯蒂芬·格维顿,道格·托雷斯,亚历山大·斯卡斯加德,约瑟夫·德博纳,本·戈扎那,罗纳德·格特曼,约翰·贝德福德·劳埃德,帖木儿·巴布鲁阿尼,拉尔斯·格哈德,迈克尔·珊农,唐·弗莱,克里斯·麦金尼,弗兰克·赛格,约翰·菲奥里,韦恩·杜瓦魂游1871
Sam Groom,Tom Hallick,弗朗辛·约克,布思·科尔曼,理查德·贝斯哈特,Trish Stewart,沃尔特·布鲁克,帕特里克·卡利顿,多尔特·克拉克,乔恩·锡达,Gil Lamb,Ed Ness,Kathleen Bracken,理查德·韦伯,Victoria Paige Meyerink导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
荒村怪谈
规则怪谈！鬼村见鬼！千年荒村自古有＂人鬼相处规则＂。青年男女结伴夜闯阴山鬼林，破坏规则，导致鬼灵还魂，鬼啸瘆人，鬼影骇人，鬼杀夺命！一个美艳女子突然被鬼现锁喉，另一个精壮青年又被鬼爪掏心……阴风阵阵，尖叫四起，一场排队送人头的祭献大戏阴森上演，生者想死无门，却又无处可逃！究竟是千年的冤魂冲破魔咒到人间索血啜饮？还是古老地狱中逃出的怪兽掠杀食人？土匪也惊恐逃亡，猎手也慌不择路！夜半的茅草屋，怪叫撕心裂肺，鬼脸贴窗凝望，野鬼BOSS终将现行，终极＂规则绝杀＂如期而至！众人早已灵魂出窍，一具具行尸走肉又将如何战栗？
有罪，AI如此宣判
新人法官高远寺圆（芳根京子饰）每日忙于庭审中的证人询问、审阅证据与鉴定报告、检索判例以及撰写判决书等工作。某日，圆被委以重任，负责测试性引入法院的AI系统“法神”。当输入过往审判数据后，“法神”瞬间生成的判决书与法官苦心撰写的文书毫无二致，判决结果也完全一致。法官们为工作效率的飞跃提升欣喜不已，唯独圆对“法神”始终心存警惕。 圆与临近退休的法官桧叶共同负责一宗18岁少年刺杀生父的案件。作为审判长的桧叶在开庭前将数据输入“法神”进行判决模拟，AI瞬间给出的判决是“死刑”。 对AI能力深感兴趣的桧叶。对AI愈发警惕的圆。当陪审员们也卷入其中时，人们再度直面探寻真相的艰难困境。究竟谁能辨明真相？是AI？是人类？还是・・・ 这部社会派娱乐作品直面当下以惊人速度渗透社会的AI技术，深刻叩问使用AI的人类应有的姿态！