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恐惧之灵
Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger狂野时代
易烊千玺,舒淇,赵又廷,李庚希,黄觉,陈永忠,郭沐橙,张志坚,曾美慧孜,闫楠殡葬师
马索·曼恩,爱德华·福隆,安吉利·赞巴拉娜,Luis Da Silva Jr,安东尼·迈克尔·弗雷德里克利刃出鞘2
丹尼尔·克雷格,爱德华·诺顿,加奈儿·梦奈,凯瑟琳·哈恩,小莱斯利·奥多姆,凯特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨维克,玛德琳·克莱因,诺阿·西甘,杰姬·霍夫曼,达拉斯·罗伯特斯,伊桑·霍克,休·格兰特,史蒂芬·桑德海姆,安吉拉·兰斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜尔-贾巴尔,塞蕾娜·威廉姆斯,马友友,约瑟夫·高登-莱维特,丹·查里顿,艾迪·戈罗杰茨基,亚当·达文波特,詹姆斯·佩顿,杰克·塔珀复仇天使
弗朗西斯卡·伊斯特伍德,小克利夫顿·克林斯,迈克·韦尔奇,莉亚·麦肯德里克,彼得·瓦克,安德鲁·卡德威尔,大卫·苏利文,亚当·拉扎尔-怀特,戴维·哈,迈克·C·曼宁,马龙·杨同盗中人第二季
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乱马12：决战桃源乡！夺回新娘子！！
山口胜平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,绪方贤一,铃置洋孝,山寺宏一,鹤弘美,佐久间玲,关俊彦,永井一郎,麻生美代子,真殿光昭,中岛聪彦,飞田展男,二又一成,松尾贵司,西村朋纮三滴血2025
胡歌,文淇,高子淇,闫妮,宋佳,高叶,欧豪,李雪琴,杨新鸣,艾丽娅,马迎春,张奕聪,王悦伊,张本煜,汪铎,刘千慈判妖邪
韩栋,赵黛溪,都桂宇,刘旭,宋海颉灵菁传
胡悦,龚小钧,孟璐,何聪睿,吴骁栩,曾语乔千万不要跟着我
Karla Coronado,扬克尔·史蒂文,Julia Maqueo怒袭
安志杰,伍允龙,洪浚嘉,克拉雅,张建声,何慈茵,王东,朱云儿,易宇航影视排行
两张彩票
多里安·波古策,德拉戈什·布库尔,亚历山德鲁-维克多·内姆特亚努,诺拉·库普辛库,安迪·瓦斯卢亚努,尤安娜·弗洛伦蒂娜·迪米特流,米尔卡·巴努,伊莱亚斯·费金,艾丽莎·卡林,伊琳娜·诺阿特斯,亚历山德鲁·帕帕多波尔,谢尔班·帕夫卢是由保罗·内戈埃斯库编剧执导的一部罗马尼亚喜剧片，主要讲述了一个小城镇的三名男子寻找遗失的彩票的过程中发生的有趣故事。迪奈勒是这个城镇的一名修车工人，幸运之神似乎从未光顾过他，因为他的客户总是对他的活计不满意、他的工资少到连酒都喝不起、就连他的妻子都因此离开了他。然而，有一天迪奈勒买彩票，意外中了大奖，这让他重新燃起了生活的希望。但他似乎高兴过了头，导致他丢失了那张彩票。于是迪奈勒和他的朋友思莱、帕皮里优一起踏上了寻找彩票的旅程。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
恐怖高速
艾琳·迪茨,西蒙·飞利普斯,Shannon Dalonzo,约翰·D·希克曼,贾斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo一对年轻夫妇在高速公路上行驶，似乎无法离开公路，因为有人企图让他们继续上路。
拍得不错
方中信,周柏豪 ,张兆辉,蔡卓妍,卢海鹏,林雪,李灿森,应采儿,苗侨伟,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！