蝴蝶君

⭐ 6.6 播放：98万 2026-06-06

1964年，法国驻华大使馆会计高仁尼（杰瑞米·艾恩斯）在观看歌剧时，被舞台上的蝴蝶夫人迷住艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。戏毕，他主动向蝴蝶夫人的扮演者、京剧演员宋丽玲示好。一次次的接触，使两颗孤独的心相爱了。然而好景不长，文化大革命爆发，宋丽玲音信全无。1968年，宋丽玲来到法国，与高仁尼重聚。多年后，当高仁尼因间谍身份被指控时，站在证人席上的，是西装革履的宋丽玲。指男为女的高仁尼成为了全法国的笑柄。这两个男人将如何面对对方，如何面对他们的爱情

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

RRR

1920年，英国总督斯科特和他的妻子凯瑟琳访问阿迪拉巴德的一个部落，并强行带走了部落里歌唱天赋异禀的小女孩玛莉，部落的保护者比姆（小老虎饰演）为了救回玛莉，伪装成穆斯林。斯科特得知消息后，总督府的底层卫兵拉朱（拉姆·查兰·特哈饰演）为了升职也同时为了完成他父亲遗愿和他对部落承诺，主动请愿自己可以将比姆逮捕。比姆和拉朱因共同拯救了一个差点葬身火海的小男孩而巧遇，他们并不认识对方，然而两人也隐藏了自己的真实身份，相互联系，成为挚友。拉朱在一次调查中发现自己的挚友就是总督要逮捕的比姆，他一边是承载了父亲的遗愿和整个部落的承诺，一边是自己的挚友，他该如何抉择…..

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