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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
杀戮元凶：狙击手
拉斯·米克尔森,雅各布·克德格恩,劳拉·巴赫,拉克·温特·安德森,佛雷克·米德·诺高,拉斯·兰特,Peter PilegaardKatrine Ries Jensen警探和法律神经病专家托马斯·谢弗正在哥本哈根警局组建了一个连环杀人案调查小组。随着调查的深入，慢慢隐现了一个与谢弗过去处理过的一个案子有关。作为初出茅庐的神经病专家，他曾经送回一个病人去往精神病医院，因为他能把一个交通事变的细节绘声绘色的描绘出来。现在这些血腥的描绘一个个闪现出来，翻开了一个个真正在的命案……
战斧骨
帕特里克·威尔森,库尔特·拉塞尔,莉莉·西蒙斯,肖恩·杨,扎恩·迈克拉农,马修·福克斯,大卫·阿奎特,凯瑟琳·莫里斯,希德·黑格,理查德·詹金斯,迈克尔·帕尔,杰米·埃克托,詹姆斯·托根美国西部某个小镇，警长富兰克林·亨特（库尔特·拉塞尔 Kurt Russell 饰）夜晚射伤了一名可疑的流浪汉，随后他请来小镇医生萨曼莎（莉莉·西蒙斯 Lili Simmons 饰）为嫌疑人治疗。夜深人静，一名马夫遭到神秘入侵者残忍杀害，而嫌疑人和萨曼莎也消失无踪。富兰 克林深感事态严重，他召集萨曼莎的丈夫亚瑟·欧·德怀尔（帕特里克·威尔森 Patrick Wilson 饰）以及其他村民们在当地酒馆开会，进而得知昨晚的事可能是一个神秘的穴居人所为。这群野蛮人近亲通婚，甚至会吃掉包括亲生母亲在内的人类。虽然凶险无比，富兰克林以及其他勇士决心勇闯穴居人的老巢，救回被绑架的村民，这次征程凶多吉少……
互帮互助
黑木华,中村苍,藤间爽子,安藤玉惠,近藤华,白鸟玉季,吉冈睦雄,松本利夫,升毅,西田尚美,田口智朗,风吹淳,草笛光子本片改编自同名小说，讲述了主人公·梓失去了无可替代的挚友而止步不前，她不断给已故好友发送信息，由此开始，意想不到的邂逅接连发生，形成了一个巨大的圈子…
浮出水面的影子
沈傲君,张伟欣,李佳,姜武故事发生在某女子监狱中。深夜子时，万籁俱寂，女囚周露（李佳 饰）面无表情地环视着阴暗的牢房，压抑着狂野的情绪，时间一分一秒过去，她像下定决心般把双手伸向了睡在一旁的另一位狱友。黑夜过去，白昼来临，在遭众狱友轮番凌辱后，周露被管教经纬带进了发泄室中。监房高处窗中射入刺眼的阳光，阳光穿透了周露伤痕累累的胳膊，那是她数次自杀未果的标记。对着墙上斑驳的镜片，她陷入痛苦难奈的回忆之中，冥冥间她似乎看到了早亡的父亲，以及那个沾血的洋娃娃，又似乎看见了继父那双伸向自己的魔爪，还有被逼的疯癫的母亲，随后又出现了向自己施暴的丈夫，周露彻底崩溃了......
音乐之声
朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普玛利亚（朱丽·安德鲁斯 饰）是一个年轻活泼的修女，喜欢在大自然下高声歌唱，所以她常常忘记了修道院里的规矩。院长认为玛利亚并不属于规矩严格的修道院。院长与众嬷嬷商量后，决定安排玛利亚到一位名叫特拉普（克里斯托弗·普卢默 饰）上校家当家庭教师。上校的妻子去世多年，留下7个孩子，他要求对孩子严格管教。他告诉玛利亚在他家的家庭教师都做不长久，都是因为孩子的恶作剧。玛利亚果然也遭到了恶作剧，可是这位善良的老师并没有告诉他们的父亲，而是像个母亲一样照顾孩子，很快跟孩子打成一片。上校也渐渐在玛利亚的引导下改变了对孩子们的态度。上校与玛利亚之间发生了感情，他们完婚后回到了已被纳粹占领的奥地利，上校并不想为纳粹办事，一家人准备逃跑……