叫我名字 / 吉川瞳 [GREDB-1037]

★ 4.3 播放:40万 更新:2026-05-28
主演: 未知/

用单反电影镜头解析「吉川瞳」纯白修长身材搭配利落温柔笑容和羞容的魅力……

在线播放

剧情简介

用单反电影镜头解析「吉川瞳」纯白修长身材搭配利落温柔笑容和羞容的魅力……

导演精选

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

小妇人2019

 马奇夫人(劳拉·邓恩 Laura Dern 饰)有着四个如花似玉的女儿,大女儿梅格(艾玛·沃森 Emma Watson 饰)拥 有着美丽的外表,和对于爱情的天真憧憬。二女儿乔(西尔莎·罗南 Saoirse Ronan 饰)满脑子塞着古灵精怪的念头,整天拿着蘸水笔东写西写,她的故事在全家上下都受到了热烈的欢迎。三女儿艾米(佛罗伦斯·珀 Florence Pugh 饰)渴望成为一名画家。最小的女儿贝斯(伊莱扎·斯坎伦 Eliza Scanlen 饰)虽然个性比起三个姐姐要来的内向的多,却拥有杰出的音乐天赋。在马奇夫人的教导之下,四个姑娘渐渐成长为了拥有独立人格的杰出女性,她们热情、乐观、善良,每个人都在各自的道路上坚强而又坚定的前进着。

被记住事物的气味

年迈的葡萄牙殖民战争老兵被迫入住养老院,在与黑人护工赫米妮亚的相处中,不得不直面昔日战争的阴影,并在衰老与孤独中获得意外的慰籍。葡萄牙导演安东尼奥·费雷拉延续其标志性风格,在养老院这一被忽视的空间内,探讨人类处境的脆弱、死亡的必然与对救赎的渴望。