向过去借种

2.3 播放:91万 2026-05-27
主演: 庄枫/

22世纪科技的进步使生育过程简化而无情趣,王教授研究时光机器派两位女性回到1995年借种怀孕。当亚华和安妮回到过去,分别遇到喜欢的人,安妮为爱想留在1995年,亚华更是爱上自己的外曾祖父。

在线看

同款热播

继女2024

安妮·伊隆泽,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs

养鬼吃人10:审判

希瑟·兰根坎普 , 兰迪·韦恩 , 约翰·古拉格 , 凯特·琼斯 , Rheagan Wallace , 亚历山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole

  影片讲述3名警探在调查一起谋杀案时,却已悄悄落入钉子人的陷阱...       新任“钉子头”由《罪恶之城》男星保罗·T·泰勒饰演,影片将于2017年在美国上映。 据外媒报道,《猛鬼追魂》第10部影片《猛鬼追魂:审判》(Hellraiser:Judgment)首度曝光了造型照,令人闻风丧胆的“钉子头”现身,由《罪恶之城》男星保罗·T·泰勒饰演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖电影之一,除惊人的血腥场景外,更借助肉体的痛苦达到灵魂的救赎,追求一种由魔入道的境界。…

探子阿坚:无头奇案

玉叶,国辉

  故事发生在大约200年前的越南阮朝,探子阿坚受某村庄的邀请,前来调查神秘失踪的案子....

勤杂工

大卫·斯佩德

A couple of border town friends think waiting tables will fix everything, but they're mistaken.

叶塞尼亚

杰奎琳·安德瑞,乔治·拉瓦特,艾尔玛·洛扎诺,胡安·加利亚,奥斯卡·莫雷利,Pilar Sen,伊莎贝拉·科罗娜,Claudia Martell,艾丽西亚·罗德里格斯,奥古斯托·贝内迪克,维克托·阿尔科塞尔,何塞·巴伐利亚,罗莎·弗曼,Maria Wagner,费尔南多·索莱尔

 19世纪热情洋溢的墨西哥小镇,吉普赛女郎叶塞尼亚(杰奎琳·安德瑞 Jacqueline Andere 饰)和伙伴们畅快淋漓歌舞,她高傲聪慧,宛若一株带刺的玫瑰,由于时常遭到白人的歧视,因此叶塞尼亚偶尔会偷钱惩治这帮势力眼,却不知道自己拥有怎样曲折的身世。某天,叶塞尼亚在酒馆算命,结识了自信满满的白人军官奥斯瓦尔多(Jorge Lavat 饰)。一来二去的交往,这对有情男女坠入爱河。爱情的甜蜜与苦涩,令他们饱受折磨。勇敢的奥斯瓦尔多请求吉普赛头人同意他们的结合,在叶塞尼亚外婆的点拨和撮合下,这个狂野女郎最终如愿和奥斯瓦尔多结为夫妇。幸福总是短暂易逝,叶塞尼亚和丈夫迎来了长时间的生离死别,他们的爱情也经历了严峻的考验……

公寓2024

斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.