愛欲陷阱
組織内で殺し屋のトップの座を狙うため、恋人さえも犠牲にする冷酷非道な男が、組織に翻弄され自滅するまでを描く。 荒戸源次郎が初めてプロデュースした映画。日活ロマン?ポルノの1本として、オリジナル題名『朝日のようにさわやかに』が『愛欲の罠』に改題されて公開されたが、以後34年間、“幻の映画”となっていた作品。殺し屋No.1を目指す男が組織に翻弄される物語は、大和屋監督も脚本に参加した鈴木清順監督『殺しの烙印』の世界と続いている艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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鬼店另有主
萨拉·帕克斯顿,帕特·希利,凯莉·麦吉利斯克莱儿（莎拉·派克斯顿 Sara Paxton 饰）和卢克（派特·希利 Pat Healy 饰）是一家有着悠久历史的洋基旅舍（Yankee Pedlar）的店员，无尽长夜中，两人插科打诨，海阔天空神聊，顺便应付各种各样的客人。这家旅舍以闹鬼著称，传说曾有个名叫玛德琳·奥马利的新娘，在旅舍举行婚礼的当天上吊自杀。店主害怕影响生意，于是偷偷藏起尸体长达三天时间。事发后店主引起民众的愤慨，而闹鬼的传言也不胫而走。克莱儿与卢克架起摄像机拍摄旅社的超自然画面，并试图探访鬼魂的真面目，这个糟糕的决定将他们带入万劫不复…… 本片荣获2011年尖叫电影节（Screamfest）最佳配乐奖、2011年多伦多午夜电影节特别奖观众选择最恐怖影片。
烛影危林
卡罗琳·麦柯米克,乔尔·托贝克,里桑·瓦伦丁A blended family from the city buys a house sight unseen in an isolated backwoods hamlet. Things get rocky when the locals aren't as welcoming as expected and a dangerous urban legend turns out to be true. In their struggle to put down roots, they find their sanctuary in peril-and their lives threatened-by the land's haunted past.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
忍者龙剑传
难波圭一,冬马由美,若本规夫,乡里大辅,榊原良子,石冢运升,铃木沙织,浦和惠,里内信夫,增田有宏,川津泰彦,沼田祐介,内海秀雄,小川真司现代超忍继承龙之一族血统的隼流忍者龙隼（リュウ・ハヤブサ，Ryu Hayabusa）因其父亲被杀，而手持由龙牙削制成的龙剑（龙剣，Dragon Sword），踏上复仇之路,并最终消灭了邪鬼王和邪神。和邪鬼王宿命之战的一年后……龙之忍者——龙·隼面临着新的冒险。忍者龙剑传是日本TECMO公司所推出的系列游戏，并於多种平台发行，也是以超高难度见称的动作游戏。本片改编自FC平台的忍者龙剑传三部曲的第二部《忍者龙剣伝II ～暗黒の邪神剣～》