沮丧的妻子

⭐ 8.5 播放:66万 2026-05-24

第1集。比我丈夫更远 去年夏天,当我的岳父和丈夫离开家时,只剩下我们两个人。 痴迷于欲望的婆婆带走尸体的那天, 与她的丈夫不同,沉迷于粗糙的姨妈魅力的已婚妇女开始偏离。 第二集,母亲的粗rough魅力 不像她的丈夫艾比·邦尼(Abby Bunny)过着放荡的生活 用好色的眼睛看着她, 爱上他的妻子。 突然,她变成了一个等待与他发生性关系的女人。

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剧情提要

第1集。比我丈夫更远 去年夏天,当我的岳父和丈夫离开家时,只剩下我们两个人。 痴迷于欲望的婆婆带走尸体的那天, 与她的丈夫不同,沉迷于粗糙的姨妈魅力的已婚妇女开始偏离。 第二集,母亲的粗rough魅力 不像她的丈夫艾比·邦尼(Abby Bunny)过着放荡的生活 用好色的眼睛看着她, 爱上他的妻子。 突然,她变成了一个等待与他发生性关系的女人。

幕后花絮

愿大家拥有幸福

  本作は田舎に住む祖父母に会いに行く看護学生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自体を揺るがすような根源的な恐怖に直面する。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster