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Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak血腥兄弟会
扎克里·伯德,菲利普·安德瑞·波铁洛,亚伦·达拉·维拉,扎克·维纳,Erica Boozer,卡梅伦·考普斯威特,杰西·皮门泰尔,让-路易·德户勒赫,Joe Gallagher,Melanie Rothman,亚历山卓·巴格特,Jackie Taylor,James Watson联合舰队司令长官：山本五十六
三船敏郎,加山雄三,司叶子,稻叶义男,土屋嘉男,平田昭彦天空岭杀人事件
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茱莉亚·克斯奇兹,Marii Weichsler,迈克尔·品克,Leon Orlandianyi,Inge Maux,Finn Reiter,Benno Rosskopf,Lars Bitterlich,Lisa Stern,Christina Cervenka鲁邦三世：不死身的血族
栗田贯一,大塚明夫,浪川大辅,泽城美雪,山寺宏一猎枭风暴
鲁诺,徐佳,田松,骆达华,王志刚,石兆琪,吕星辰,阚宇,张莎莎,李艺东,陈画风,袁苑,安琥,庄小龙太平洋战场
Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie Anderson137号案件
蕾雅·德吕盖,帕斯卡·桑格拉,克莱尔·博德森,朱利安·利蒂,佛罗伦斯·维亚拉,海伦·亚历山德里迪斯,Solan Machado Graner,安东尼娅·布雷西,杰纳维夫·马尼奇,Christian Sinniger,Sandra Colombo,Côme Péronnet,瓦伦丁·坎帕涅,Mathilde Riu,雅尼克·莫泽尔,古斯拉姬·马兰达,戈捷·巴图埃,Laurent Bozzi,亚历珊德拉·耶尔马克,斯蒂文·德里森美国暴力
布鲁斯·邓恩,丹妮丝·理查兹,凯维·莱曼-默塞尤,哥伦布·绍特,罗布·格隆科夫斯基,迈克尔·帕尔,约翰尼·梅辛纳,爱玛·里格比,尼克·齐兰德,帕特里克·基尔帕特里克,迈克尔·约翰·朗,米歇尔·圣托彼得罗,威洛·黑尔影视排行
坏继母
苏菲亚·威希涅瓦,克里斯蒂·斯旺森,罗根·霍夫曼,戴夫·戴维斯,Anthony Marble,约翰·麦康奈尔Following the sudden and mysterious death of their father, a brother and sister return home to their sprawling New Orleans estate and encounter their unhinged stepmother, who will stop at nothing to gain control of their inheritance.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
乐透大作战
高庚杓,李伊庚,音文硕,朴世婉,郭东延,李俊赫即将退伍的南韩兵长千禹（高庚杓 饰），某天意外在紧绷的南北韩军事线附近，捡到一张飘向自己的头奖彩券，之后却一个不小心，让这张彩券乘风飘向无法涉足的北韩…。为了靠57亿奖金实现退伍梦想，他使出浑身解数寻找彩券，没想到竟被北韩士兵荣浩（李伊庚 饰）给捡到…。跟彩券擦身而过的 千禹，以及在北韩不过是张纸片，必须到南韩把彩券换成奖金的荣浩，再加上意想不到的成员们共同加入，双方为了死守这57亿巨额奖金，决定“越线”展开惊险刺激的机密协商······
还魂之迷失曼谷
范逸臣,李昕芸,李媛,雪村林美嘉（李昕芸 饰）、安晓晨（李媛 饰）和陈宇林（范逸臣 饰）大学时代便认识的好友，晓晨与宇林更是亲密的情侣。毕业后这对闺蜜共同进入一家服装设计公司，在残酷的职场中果敢自信的晓晨扶摇直上，很快成为一支团队的负责人，这让美嘉心中难免有所芥蒂。某次二人受公司指派去泰国寻找素材，希望转运的美嘉坚持要去某个偏僻所在向法师求佛牌。此后，两人在泰国遭遇离奇火灾，晓晨命丧异国他乡，美嘉则侥幸逃生，但失去了泰国之行的所有记忆。身为心理医生的宇林固然伤心，同时希望通过自己的专业技能帮助美嘉走出阴影。 可是这番治疗丝毫没有效果，美嘉被恐怖的幻觉所困扰，情况愈演愈烈……