青山ひかる – ミルキー・グラマー
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan青山ひかる – ミルキー・グラマー
在线播放
剧情简介
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan青山ひかる – ミルキー・グラマー
同类好片
格吉（杀人鬼）
卡文·英玛诺泰,Supawadee Kitisopakul,ชัยยุทธ กิติชัยวัฒน์饮食男女1994
郎雄,杨贵媚,吴倩莲,王渝文,张艾嘉,归亚蕾,赵文瑄,陈昭荣,陈捷文,卢金城,唐语谦,洪其德,王瑞,杜满生,王玨,陈妤,左正芬,许敬民,聂卓晶,丁仲完美伴侣2025
索菲·撒切尔,杰克·奎德,卢卡斯·盖奇,梅根·苏丽,哈维·吉兰,鲁伯特·弗兰德,雅布其·杨-怀特,马克·门查卡,伍迪·傅,Matt McCarthy,Ashley Lambert端岛计划
苏查·玛娜英,阿萍雅·萨库尔加伦苏,吴翊歌,亚历山大·伦德尔分秒间离
奥兰多·琼斯,Edmund Entin,Gary Entin大话修仙
孙槐志人气佳作
鬼府神工
劳伦·拉维拉,Claudio Nathan Brezzi,雅辛·法德尔,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克劳迪亚·杰里尼,Jonathan Dylan King,Elisabetta Klein,乔瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮丝·麦克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛伦佐·伦兹,Nicolo Viridi,Linda Zampagli我的学姐是青蛇
神秘岛
迈克尔·克雷格,琼·格林伍德用武之地
肖央,齐溪,任达华,郑恺,潘斌龙,法提,奥黛丽·欧塔维阿诺导演精选
最后一根稻草
在父亲的小餐馆发生了可怕的案件后，Nancy决定独自值完当晚的最后一班来收拾残局。但她不知道，自己并非孤身一人，她必须在漫漫长夜中为自己的生命而战。
潜舰情缘
她是一名战术潜艇军官。他是管家。在潜水90天之前，她选择了“四个小时”。但它就在这里！谁跟着她！谁粘的！如果747机组人员以浪漫为荣，我们会去哪里？就像我们有时间在军事建筑上恋爱一样！然而，太平洋还不够大。北冰洋也没有。当你用如此伟大的爱彼此相爱时，世界是如此渺小。。。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster