身体轮廓的秘密
在一个由令人震惊的暴力和性心理扭曲定义的类型中，它可能仍然是暂无内容EuroCult暂无内容历史上最过分的“giallo”：前米高梅新星和注定要失败的詹姆斯迪恩情人皮尔安杰利（她的金球奖“最有前途”已经过去了暂无内容20暂无内容年）暂无内容新”，就在她悲惨死亡的前一年）在这部超恐怖的史诗中出演，充满了斩首、宠物秃鹫、令人毛骨悚然的乱伦、时髦的时装、氰化物浴、漩涡迷幻药、莫名其妙的情节曲折、纳粹死亡集中营的倒叙等等。暂无内容埃莱奥诺拉·罗西·德拉戈、费尔南多·桑乔和卢西亚诺·卡泰纳奇在暂无内容1970暂无内容年共同出演了这部让西格蒙德·弗洛伊德本人惊恐尖叫的病假。暂无内容不幸的是，IN暂无内容THE暂无内容FOLDS暂无内容OF暂无内容THE暂无内容FLESH暂无内容目前仅提供英文配音对话曲目。
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剧情提要
在一个由令人震惊的暴力和性心理扭曲定义的类型中，它可能仍然是暂无内容EuroCult暂无内容历史上最过分的“giallo”：前米高梅新星和注定要失败的詹姆斯迪恩情人皮尔安杰利（她的金球奖“最有前途”已经过去了暂无内容20暂无内容年）暂无内容新”，就在她悲惨死亡的前一年）在这部超恐怖的史诗中出演，充满了斩首、宠物秃鹫、令人毛骨悚然的乱伦、时髦的时装、氰化物浴、漩涡迷幻药、莫名其妙的情节曲折、纳粹死亡集中营的倒叙等等。暂无内容埃莱奥诺拉·罗西·德拉戈、费尔南多·桑乔和卢西亚诺·卡泰纳奇在暂无内容1970暂无内容年共同出演了这部让西格蒙德·弗洛伊德本人惊恐尖叫的病假。暂无内容不幸的是，IN暂无内容THE暂无内容FOLDS暂无内容OF暂无内容THE暂无内容FLESH暂无内容目前仅提供英文配音对话曲目。
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悬案密码2：野鸡杀手
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超时空传输
未来世界能源枯竭，食物短缺。雷恩醒来，三名蒙面人将他和女友劫持，他奋力挣脱却从楼梯摔下。雷恩再次醒来，发现自己经历着同样的一天。他告诉女友汉娜，却发现汉娜和蒙面人是一伙的。雷恩才发现，他们都陷入了自己制造的ARQ能源机引发的时间循环中，而雷恩曾经效力过的Torus公司正要夺走这台机器。为了阻止Torus公司，雷恩和汉娜再次进入无限的循环...
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.