侵袭

　　与丈夫离婚后，Alice必须承担起单亲母亲的全部责任，照顾她全心全意爱着的儿子August，一个好奇的小男孩。他从小就对A、他的父亲和他自己的故事充满疑问。就连他的母亲也从未谈起过他的父亲，August15岁那年，神秘的故事开始一点一点地跟随他。他父亲生前的嘱托成为August从诺拉舞的秘密中发现恐怖的原因。在试图让他认识到自己的业力同时，Alice相信理性和正义。Alice竭尽全力拯救她所爱的儿子。但她越是反抗并带领August远离现实，诡异和奇怪的事件不断升级，直到August陷入危险。决定返回寻找过去的真相。August生命危在旦夕，当Lambam家的门打开时，里面的木桩从过去一直建到了现在，与她一起打开的是Lambam家的老管理员Cherd叔叔，他知道整个故事。业力和所欠的誓言已经开始要求偿还

探索现代浪漫的起起落落。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

这是三部曲的最后一部，故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的，令人作呕的情节屡屡出现，充斥着暴力，性，裸体，体液！一群女孩子和一个男人抠喉咙催吐，然后吃掉呕吐物，再吐出来……