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雏菊1966
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Eric Walker,沃维克·戴维斯,菲奥纽拉·弗拉纳根,盖伊·博伊德,奥布丽·米勒,伯尔·艾弗斯,Daniel Frishman,黛比·李·卡林顿,托尼·考克斯,凯文·汤普森,Margarita Farrell,Pam Grizz,Bobby Bell,Darryl Henriques,Sydney Walker,Jon Berg,蒂芙妮·布里塞特嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris欣德·拉贾布之声
克拉拉·库里 , 萨贾·基拉尼 , 莫塔兹·马希斯 , 阿莫尔·何勒赫尔趣塔德庄园
戴米恩·路易斯,凯瑟琳·沃特斯顿,托马辛·麦肯齐,本·拉德克利夫,汤姆·费尔顿,艾玛·莱尔德,李·布罗德曼,汤姆·古德曼-希尔,吉米·卡尔,莉莉·奈特,亚当·伍德沃德,查理·罗尔斯,卢卡斯·凯利,内森·霍尔,亚历山大·巴特勒,莉兹·霍普利,艾琳·奥斯汀,玛格达莱娜·斯维兰德,杰玛·瓦德尔,劳瑞·奥格登挽救计划
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奥尔蒂斯,莱昂内尔·博伊斯,梁振邦,米拉娜·薇恩翠,普里亚·坎萨,利兹·金斯曼,马拉基·卡比,梅丽尔·斯特里普,尤妮斯·胡特哈特,雷·波特,达米安·德·弗罗贝维尔,安妮勒·奥拉莱,米娅·索特里乌,巴斯蒂安·安东尼奥·富恩特斯,爱丽丝·布里塔因,玛雅·伊娃·侯赛因,迈克尔·阿金绥尔,特拉维斯·杰,杰弗里·兰布,保罗·兰伯特,奥赖恩·李,亚伦·尼尔,米歇尔·格里尼奇,伯恩哈德·舒茨同类精选
洛杉矶劫案
克里斯·海姆斯沃斯,马克·鲁法洛,巴里·基奥恩,哈莉·贝瑞,莫妮卡·巴巴罗,科里·霍金斯,尼克·诺特,詹妮弗·杰森·李,泰特·多诺万,保罗·安德斯坦,戴文·博斯蒂克,德鲁·鲍威尔,帕特里克·穆尔维,马修·德尔·内格罗,安德拉·内切塔,法希姆·法兹利,佩曼·莫阿迪,丹·佩罗,乔希·斯通,哈娜可·福特曼那张照片里的我们
李沐,郑振永,宋柏纬喜羊羊与灰太狼之异国破晓
莫德罗监狱1977
米盖尔·赫尔南,哈维尔·古铁雷斯,赫苏斯·卡罗萨,Catalina Sopelana,费尔南多·特赫罗,哈维·萨兹,Víctor Castilla,Alfonso Lara,Iñigo de la Iglesia,伊尼戈·阿兰布鲁,Javier Lago,哈维尔·贝尔特兰,Aimar Vega,Julián Valcárcel,Nacho Marraco女人
宝拉雅娜·麦金托什,劳伦·阿什利·卡特,肖恩·布里吉格斯,安吉拉·贝蒂斯,卡尔利·贝克,马西娅·贝内特,乔安娜·哈灵顿,汤米·尼尔森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis毁灭者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton影视排行
好想大声说我爱你
李先时,伍月,颜丹,博弘,任青安,史恩旗,简佳琳拳击手成祥，在北京和初恋女友娜娜一起创业奋斗，十年后，处于事业落魄低谷中的成祥创业失败又遭初恋背叛，黯然返回家乡后喜欢上同村女孩元丽。在深度相处后，成祥爱的一发不可收拾，表白元丽被拒，失落的成祥一蹶不振。得知元丽因自身困境忍痛拒绝，成祥父母与元丽设订婚谎言激励他。成祥带着家乡的特产重返北京奋斗，即将功成归乡知晓真相后，倾其所有相助元丽，只希望她过的比自己好，元丽破防，再也忍不住内心爱的悸动，大胆的表达了自己对成祥的爱，两人自此走在了一起。两人携手相伴。
三十一
伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯万圣节前一天，五名狂欢节员工被绑架挟持到一个称为“肃杀世界”的孤立院子。在万圣节时，他们会被扔进一个名叫“31”的虐待狂的游戏中，他们将面对一群穿得像小丑一样的疯子。然而，小丑并不是唯一需要担心的，一个更宏大的邪教仪式和更残酷的阴谋将被唤醒......
狗舍
丹尼·戴尔,诺埃尔·克拉克,埃米尔·马尔娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科尔,特里·斯通,尼尔·马斯克尔,埃米莉·布思,斯蒂芬·格拉汉姆,杰西卡-简·斯塔福德,阿黛尔·秀娃,Zac Mattoon O'Brien,玛丽·塔姆,比利·穆瑞,艾丽森·卡洛尔,珍娜·古德温,妮娜·艾尔斯为了帮助好友文斯（斯蒂芬·格拉汉姆 Stephen Graham 饰）度过伤心的离婚，一群好友尼尔（丹尼·戴尔 Danny Dyer 饰）、科勒雷（比利·穆瑞 Billy Murray 饰）、米奇（洛尔·克拉克 Noel Clarke 饰）、马特（李·恩格里比 Lee Ingleby 饰）等人带着他前往一偏僻小镇度假。本以为去的是人间天堂，结果他们却发现这里根本就是地狱，因为这里的女人都染上了怪病，会像僵尸一样袭击、吃掉所有男人。尽管这些男人平时都是唯唯诺诺的“妻管严”，但是面对女僵尸他们绝不手软，于是一场好好的度假彻底沦为了爷们儿大战女僵尸的战争。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.