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少妇魔杖情趣霍宣万圣私欲调教
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破军X档案隐身人
白云峰 沐岚 杜宇航 克拉拉河流如血
泰雅·迪格斯,约翰·库萨克,乔治·洛佩兹,卢克·海姆斯沃斯,Gianni Capaldi,布莱恩娜·伊维根,RJ·米特,Steven Berrebi,贾克琳·弗莱明,陶竤,伊薇特·帕里什吞噬星空剧场版决战原始星
终端
玛格特·罗比,西蒙·佩吉,德克斯特·弗莱彻,麦克·梅尔斯,马克斯·艾恩斯,卡塔莉娜·凯斯,尼克·莫兰,Les Loveday,卓丹·邓,马修·刘易斯,托马斯·图尔格斯,杰伊·辛普森,罗伯特·古德曼,保罗·雷诺兹人工情报
赵寅成,朴正民,朴解浚,申世景防空洞
维罗尼卡·莫希雷娃,伊戈尔·别特连科,Fyodor Lavrov,Mikhail Novikov,阿列克谢·舍甫琴科夫,亚历山大·梅乔金,Maksim Saprykin,玛格丽塔·阿布罗斯金,Nikita Abdulov,迪安·迈耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan导演精选
喜羊羊与灰太狼之羊年喜羊羊
在阳光明媚的日子里，灰太狼突然闯入羊村，虽然他被小羊羊们击退，却把村长的变身魔毯打劫回去。表现英勇的喜羊羊受到伙伴们的称赞，而懒羊羊对此反而有些愤愤不平。为了证明自己的实力，他将慢羊羊的时空照相机错认为手枪，将其偷走后闯入狼堡。得知消息的喜羊羊匆匆赶去营救，结果在混乱之中被卷入时空乱流回到了远古时代，灰太狼和懒羊羊更被魔毯互换了身体。灰太狼无意中被原始羊的千金相为驸马，懒羊羊则成为几只笨狼的首领。 可怕的是有一条能把任何生物变成石头的恶龙肆虐，为了保卫原始时代的朋友们，喜羊羊他们携手挑战恶龙，懒羊羊更成为了足以改变历史的英雄人物……
镖人：风起大漠
大漠之上，镖人、官府、西域五大家族等多方势力盘根错节、暗潮涌动。“天字第二号逃犯”刀马接下特殊押镖任务，和同伴一起从西域护镖远赴长安。不料，他们的护送对象竟是“天字第一号逃犯”知世郎……天下熙熙皆为利来，各方势力闻风入局，抢镖厮杀接连上演……
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster