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松本梨香,大谷育江,上田祐司,丰口惠美,小樱悦子,林原惠美,三木真一郎,犬山犬子,铃鹿千春,能登麻美子,井上喜久子,三宅健太,伊东美弥子,西村千奈美,川上伦子,阪口大助,小西克幸,古岛清孝,石冢运升,佐藤智惠,仁科洋平,传坂勉,逢坂力,座光寺知幸,佐佐木日菜子,植竹香菜,中塚玲,寺谷美香,西优子,三浦博和,相马幸人,中西英树,山本耕史,加藤罗莎,秋山龙次,马场裕之,山本博,中川翔子,石坂浩二,山寺宏一养鬼吃人7
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何超仪,高桥和也,白川和子,周俊伟同类精选
扬帆
贝蒂·戴维斯,保罗·亨雷德,克劳德·雷恩斯,格拉黛丝·库珀真人快打2
卡尔·厄本,阿德莱恩·鲁道夫,杰西卡·麦克娜美,约什·劳森,林路迪,麦卡德·布鲁克斯,塔蒂·加布里埃,刘易斯·陈,达蒙·海瑞曼,黄经汉,浅野忠信,乔·塔斯利姆,真田广之,马丁·福特,安娜·图·阮,朱利安·威克斯,戴斯蒙·詹,黄又亮,艾萨克·普瑞斯特,CJ·布隆菲尔德神探巴克希
苏尚特·辛格·拉吉普特,菊池隆则,阿南德·蒂瓦里,Swastika Mukherjee黑色黄金
Magui Bravi,Roly Serrano,Agustin Olcese,Evelyn Gasser,Griselda Rapi坐白车的女人
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邓紫衣,唐禹哲,杜娟,刘羽琦,洪一平,刘鹏影视排行
边境战争2
瓦伦·达万,桑尼·戴尔,迪尔吉特·多桑,阿汗·谢迪,Hariom Kalra,莫娜·辛格,索纳姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕兰维尔·切玛,阿努拉格·阿罗拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan1971年印巴战争期间，年轻的印度战士准备保护自己的家园免受更大的威胁。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
急转直下
凯特·贝金赛尔,斯科特·伊斯特伍德,马特·克拉文,安娜·戈尔佳,塔利亚·亚瑟拉夫,阿文·卡纳尼安,亚历杭德拉·霍华德,罗伯特·法里奥尔,乔丹·杜维尼奥,马达莱娜·瓦莱基·威廉姆斯,帕滕·休斯,马西莫·麦奎因莫琳·达巴格是一位母亲，当她的前夫绑架了他们的小女儿阿米娜并消失在中东时，她的世界崩溃了。绝望而无情的莫琳与罗伯森合作，罗伯森是一名经验丰富的前海军陆战队员，也是儿童绑架案件的专家。这部电影以贝鲁特动荡的背景为背景，讲述了莫琳和罗伯逊陷入一个充满国际间谍、腐败和背叛的阴暗世界。随着时间的流逝，风险高得不可思议，莫琳必须在与时间的赛跑中面对不可能的选择。本片是一段紧张而感性的旅程，探索了一位母亲为拯救孩子所做的努力，即使她在每个转折点都面临着隐藏的危险。
迷失的欲望
靳圣通外表漂亮的子晨内心充满着欲望，漂亮的包包和高档的手表的加持，子晨在人群中格外显眼，子晨得到了极大的满足。然而真正的奢侈品是爱情，子晨开始瞒着自己的丈夫和花花公子开始交往，随着时间的推移，债务暴雷，情感更是骗人的游戏，子晨终于把自己推向了绝境。