三人行

9.4 播放:90万 2026-05-28

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判决2025

里罗·得万托,礼萨·拉哈迪安

Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.

我的曼啊:2025圣诞特别篇

露茜·彭奇,乔安娜·拉姆利,菲利帕·邓恩

  

鬼悚历险3D

阿玛雅·萨拉曼卡,马克西·伊格莱西亚斯,Lucho Fernandez

  心理学专业学生安吉拉(Amaia Salamanca 饰)分外担心她的期末学分,在教授的建议下,这个一向不相信超自然的女孩决定去探访一座早已废弃的矿区小镇Susurro,那里曾经有一个嗜血如命的马特加医生,传说他的恶灵至今还在小镇上游荡,残害偶然闯入的人们。为了证明马特加医生的传说子虚乌有,也为了顺利通过考试,安吉拉和她具有较强第六感的妹妹戴安娜(Alba Ribas 饰)以及同学乔西(Maxi Iglesias 饰)、托尼(Óscar Sinela 饰)、贝兰(Úrsula Corberó 饰)、卡罗斯(Lucho Fernández 饰)驱车前往那个荒凉阴森的边远小镇。  借助精密仪器和戴安娜的配合,他们似乎真的将马特加医生唤回了人间,而死神也一步步向他们靠近……

浴火巾帼3

拉妮·玛克赫吉,詹琪·博迪瓦拉,Mallika Prasad,Jimpa Sangpo Bhutia,Prajesh Kashyap,Eindraneel Bhattacharya

这是一场与时间的赛跑,决不会手软。Shivani Shivaji Roy回来营救失踪的女孩。

暗夜鬼抓床

肖娜·麦克唐纳,Leah McNamara,罗斯·诺贝尔

  Paralyzed after a terrible accident, Dana struggles to regain her life and family when she encounters a malevolent ghost in her hospital room.

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.