发情的女大学生们的秘密性爱
年轻性感女大学生与养老金老板的秘密二对二群交～我用身体代替金钱来回报你！假期期间，伊瑞和瑞镇找到了他们喜欢的全套服务养老金并预订了途中，他们在一家便利店停下来，却丢了钱艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。知道自己丢了钱包，试图缴纳养老金费用，但没有钱支付，养老金所有者贤成和智勋向养老金所有者讲述了情况，但养老金所有者贤成。而智勋则坚持要用自己的身体而不是金钱来支付养老金，并说他毁了自己的生意。伊瑞和瑞珍别无选择，只能通过与贤成和智勋发生性关系来支付养老金，因为他们没有钱，所以他们最终用自己的钱支付了按摩和食物费用。事实上，Yi-seo 和 Seo-jin 也喜欢 Hyun-seong 和 Ji-hoon，他们满足于与他们发生性关系而不是金钱。但这一切都是养老金所有者提前计划好的，那么他们到底发生了什么
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罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮祸祸女
南沙良,前田旺志郎,山田葵 ,高石明里,九条ジョー,铃木福,前原瑞树,平田敦子,平原哲,斋藤工,田中丽奈妖狐传
马倩倩,张竞达,王昭,朱利安迷妄国度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·费南德斯登帕卡农
จันทร์เพ็ญ คงประกอบ,วรชาติ ธรรมวิจินต์,ชูเกียรติ เอี่ยมสุข,พิเชษฐ์ เอี่ยมชาวนา,พวง แก้วประเสริฐ,จำนงค์ ปิยะโชติ送葬人
道格拉斯·史密斯,卢锡安·拉维斯科特,克雷西达·博纳斯,道格·琼斯,迈克尔·特鲁科,珍娜·凯内尔,埃丽卡·特伦布莱,玛丽莎·埃切维里亚,克利奥·金,费·唐纳薇,凯瑞-安·莫斯,雷·沃纳尔,凯琳·伍黛尔,拉腊·诺克斯,乔纳森·潘内尔,尼古拉斯·萨德勒,玛莎·哈克特,库尔特·岳同类推荐
远山淡影2025
广濑铃,二阶堂富美,吉田羊,卡米拉·爱子,松下洸平,三浦友和,柴田理惠,渡边大知,铃木碧樱1982年，英国。一位年轻有抱负的日英混血作家准备书写其母亲——1952年，英国。战后移英的日本妇人悦子，因长女自杀而忆起在长崎的最后一段时光。悦子与妇人幸子相遇，幸子也准备和女儿出国，对新生活翘首以待。然而，作家在拼凑线索及母亲的记忆碎片时，渐渐发现母亲的记忆与现实相左.…..石川庆改编诺贝尔文学奖得主石黑一雄早年同名原著，双线刻划战后女性挣扎求存之境，表面平静实质波澜不休，折射出大时代下压抑而沉重的集体记忆与痛苦。
迷失禁区
陈明民,梁鸿,王新宇,金晨曦...
真心话大冒险2017
卡茜·瑟波,布莱特妮·萨皮,梅森·戴伊,艾丽克西斯·勒梅尔,里卡多·霍约斯,卢克·拜恩斯,哈维·吉兰Eight college friends head to a "Haunted Rental" for Halloween. But when they replay the game that made the house infamous, they awaken an evil spirit intent on stealing their souls.
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
上帝是吗？
卡拉·杨,马洛里·约翰逊,加奈儿·梦奈,斯特林·K·布朗,薇薇卡·福克斯,麦凯尔泰·威廉逊,埃里卡·亚历山大,泽维尔·米尔斯,Xavier Nealy-Davis,Christina Spencer,乔赛亚·克罗斯 ,莉娜·克拉克,Justen Ross,朗达·约翰逊·邓茨,Mark Druhet,Alisha 'LeeLah' Moore,Andreius 'Dreko Tha Prophet' Moore聚焦一对身上有烧伤疤痕的姐妹，她们被病床上的母亲要求去杀掉父亲——是他虐待妻女，把她们烧伤。两人因此踏上了一场奇特的旅程，是复仇，还是宽恕？