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剧情提要
值得一看的电<ahref="https://lovedan.net"target="_blank">海外YY</a>
暗夜精选
六百英里
蒂姆·罗斯,哈里森·托马斯,莫妮卡·德尔·卡门,格瑞格·鲁兹,哈里斯·肯德尔,诺伊·埃尔南德斯沉默的镜像
蒂莫西·赫顿,费尔南多·古林·库弗,米格尔·安赫尔·西尔维斯特洛奇
西尔维斯特·史泰龙,塔莉娅·夏尔,伯特·杨,卡尔·韦瑟斯,布吉斯·梅迪斯我们是伯利恒
多洛蕾斯·方齐,卡米拉·普拉阿特,劳拉·帕雷德斯,朱丽叶塔·卡迪纳利,Sergio Prina,路易斯·马辛,凯撒·特龙科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam东北警察故事3
谢苗,林晓杰,崔志佳,黄米依,伍允龙,马千壹,张磊,冯瑶,唐鉴军,田娃,吴莫愁复仇：爱的故事
尼古拉斯·凯奇,安娜·哈彻森,特丽莎·贝特曼,黛博拉·卡拉·安格,唐·约翰逊,约书亚·米克尔,罗科·纽金特,乔·欧科特贝克,卡特·伯奇,夏琳·蒂尔顿,迪克兰·图莱尼,卡拉·弗劳尔斯,吉米·冈萨雷斯,科里·斯科特·艾伦,迈克·普涅夫斯基,凯蕾·里维拉,沙维尔·德克里,迈克尔·帕帕约翰非礼勿视
Glen Jacobs,克雷格·霍纳,Michael J. Pagan同系列推荐
副总统
克里斯蒂安·贝尔,艾米·亚当斯,史蒂夫·卡瑞尔,山姆·洛克威尔,娜奥米·沃茨,艾丽森·皮尔,埃迪·马森,贾斯汀·柯克,丽莎盖伊·汉密尔顿,杰西·普莱蒙,比尔·坎普,唐·麦克马纳斯,莉莉·拉贝,谢伊·惠格姆,斯蒂芬·阿德利·葛尔盖,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,马修·雅各布斯喷火女郎
邱淑贞,郑丹瑞,郑裕玲,叶德娴,朱江,黎小田,文隽,黎彼得,程东,陈慧仪,苑琼丹,李兆基,刘松仁捆绑上天堂
倪妮,周游,廖凡外出时刻
罗兰·拉斐特,埃马纽埃尔·贝克特,帕斯卡尔·格雷戈里,格雷戈里·蒙泰尔,安娜·卢瓦雷,Cyrille Hertel,卢安娜·巴杰拉米,Victor Bonnel,格林奇,托马斯·西梅卡,盖伊·托马斯,Véronique Ruggia困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun灵蚀
桑德拉·埃斯卡塞纳,布鲁纳·冈萨雷斯,克劳蒂亚·普莱瑟,伊凡·查韦罗,安娜·托伦特,康斯薇洛·特鲁希略,安吉拉·费比安,卡拉·坎普拉幕后花絮
三十一
万圣节前一天，五名狂欢节员工被绑架挟持到一个称为“肃杀世界”的孤立院子。在万圣节时，他们会被扔进一个名叫“31”的虐待狂的游戏中，他们将面对一群穿得像小丑一样的疯子。然而，小丑并不是唯一需要担心的，一个更宏大的邪教仪式和更残酷的阴谋将被唤醒......
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster