爱妾

暗夜良人

何乙轩,李运佳,周舟,黄娟,杨坤锐,李延,王渊,王正佳,刘锦,李一明,张依珂,季李,田雨,周小鹏,许之糯,吕一丁,张京海,徐福来,常征,孔庆三,边防,杜伯,苏强,王俊潾,高果,孙博,刘建军,梅景洪,李少林,高玉林,张业福,苏佳男,杨瑞承,吴梓铭,田甲右,刘欣刚,岳阳

　　民国年间，张千月（杨坤锐饰）新婚之后进省城投奔同乡王明堂（李运佳饰），不成想晚上房间内发现床下有一个死尸，大批警察带走了旅社老板宋成安（周舟饰）、老板娘翠姐（黄娟饰）、住客顾满仓（王渊饰）、孙兴福（王正佳饰）、梁程思（刘锦饰）、门房老胡（季李饰）及房间内的张千月与王明堂。乡下的新婚妻子白秀英（何乙轩饰）与老父亲张广林赶至省城听审，老父亲接受不了这个严重的打击气绝身亡。这里面有不可告人的秘密。传说冤魂索命，这个事情不简单。一间旅馆、一个女尸、一群平民引发了一个意料之外的故事，展现了民国时期，灰暗的年代，军阀割据，官匪勾结，生活在社会底层的各种普通百姓，挣扎在水深火热之中，各种生活的无奈与社会现实的交织，人为了生存所做的一切挣扎.....一个投亲的少女灵芝（张依珂饰）引发了当地恶霸朱天久（李延饰）皮三（边防饰）残忍杀戮，牵扯无辜百姓，勾结当地警长康大鹏（周小鹏饰）利用贪官（高果饰）歪曲事实，残害无辜百姓，法官（常征饰）（杜伯饰）命悬一线。关联人李婉儿（李一明饰）四散逃命，江湖骗子（孔庆三饰）浑水摸鱼。更牵动大批爱国志士（许诺饰）（张玥饰）刺杀大帅庞金龙（张京海饰）督军孙连胜（吕一丁）为百姓申冤报仇！这一切的来龙去脉都由一名说书人（徐福来饰）娓娓道来。

征服者2

兰维尔·辛格,阿克夏耶·坎纳,桑杰·达特,阿俊·拉姆鲍,马达范,莎拉·阿尔琼,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·库拉纳,K Anshuman Thakur,Vikash Rai

 Hamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.

上帝阴影下

马克·奥布莱恩,杰奎琳·拜尔斯,Shaun Johnston,乔什·克鲁达斯,阿德里安·霍夫,戴维·哈索姆,Cara Azevedo

　　一位精英驱魔师在对他的父亲进行未经授权的驱魔时，怀疑与他战斗的实体是一个神圣的存在——甚至可能是上帝。

最终测试

安东尼·迈克尔·豪尔,查理·吉尔莱斯皮尔,汉娜·凯普尔,约翰·卡普洛斯,利丽克·罗斯

一部关于一群高中高年级学生被迫在学校度过一个周六完成一项考试，他们要么错过了考试，要么考试不及格。一天下来，他们在自己和同学身上找到了自己的价值观、背叛和爱。

飞砂风中转

郑伊健,陈小春,方中信,余安安,叶璇,陈子聪,刘浩龙

　　和义盛坐馆火水（方中信 饰）在筛选马仔后备军时，被一个开餐馆的厨师火腩（陈小春 饰）所吸引，后者做的叫花鸡味道鲜美，令他难忘。从此，他对火腩特别照顾，委以重任。找到了保护伞的火腩可以继承祖业，跟妻子（叶璇 饰）夫唱妇随经营义盛小馆，并盘算让儿女进入名校就读。正在此时，金融危机来临，方中信遇到困难，堂主之位不保，此时他希望能够让火腩做接班人，稳定军心。然而，和义盛开山祖师后人十三妹（余安安 饰）却力荐刚出狱的儿子燕子文（郑伊健 饰）出任堂主之位。于是，两个本不想做堂主的后起之秀被架上了PK台。火腩只想安心经营自己的饭店，而燕子文则希望进入大学进修，无心恋战的两人将面临一场怎样的对决呢？

王者少年

路易斯·阿什伯恩·瑟金斯,丹妮斯·高夫,迪安·肖穆,汤姆·泰勒,雷亚安娜·杜瑞斯,内森·斯图尔特-贾瑞特,诺玛·杜梅温尼,丽贝卡·弗格森,马克·博纳尔,安格斯·里,路易斯·马丁,乔伊·安沙,亚当·利斯,亚历山德拉·罗奇,尼克·穆罕默德,帕特里克·斯图尔特,迈拉·麦克法迪,亚当·布克斯顿,克劳迪·布莱克利,吉娜薇·欧瑞丽,露丝·霍洛克斯,贾格·帕特尔,康纳·沃尔夫

　　剧情讲述一群小朋友探索追踪一个中世纪祸害——名叫Morgana、是亚瑟王同父(母)异母(父)的妹妹的故事。路易斯饰Alex，偶然发现了亚瑟王的圣剑“Excalibur”，泰勒饰他的同伴兰斯洛特，Denise Gough饰他的母亲，Imrie饰年轻版梅林，斯图尔特有望饰演老版梅林，弗格森则有望饰演大反派Morgana。该片由福斯发行，充满动作冒险元素。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.