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爱情抓马
罗伯特·帕丁森,赞达亚,马莫多·阿西,阿拉娜·哈伊姆,海利·盖茨,佐伊·温特斯,迈克尔·阿伯特,西德妮·莱蒙,亚亚·戈塞林,佩顿·杰克逊,乔丁·库雷特,马修·J·麦克劳克林,蒂埃雷·迪亚斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎贝尔,卡拉·科尔南·约瑟夫,马克斯·德德里安,凯西·麦克尼尔失真的画
威廉·达福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦尔,Samantha MacIvor致命录像带94
安娜·霍普金斯,Sean Patrick Dolan,德鲁·维尔戈维尔,达克斯·拉维纳眠狂四郎
长谷川博己,黑岛结菜,高桥光臣,菜菜绪,森永悠希,坂东弥十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彦,神保悟志 ,原沙知绘,本田博太郎南方时光
陈玄力,吴慷仁,孙淑媚,黄迪扬,谢以乐,苏韦华,黄工芸,朱俐安,郑有杰楼上的人们
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恐怖买家
劳伦·拉维拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi温德尔和怀尔德
科甘-迈克尔·凯,乔丹·皮尔,利丽克·罗斯,安吉拉·贝塞特,吴汉章,文·瑞姆斯,雷蒙娜·杨,娜塔丽·马丁内斯,坦图·卡丁诺,艾格尔·纳尔,加布里埃尔·丹尼斯,大卫·哈雷伍德,玛克辛·皮克,Sam Zelaya,Seema Virdi,Michele Mariana,Gary Gatewood,Tamara Smart反叛行动
丽兹·格林尼,梅根·布恩,思凯·卡茨,菲利普·文切斯特,阿丽克斯·维拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,约纳斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,马克斯·克劳斯,Charlotte Weston,Alexsandria Ralev,玛丽安娜·斯塔尼切娃,内森·库珀,伊丽莎白·吉布森,丹·凯德,Anaya Yalamov,William Smalley,Todor Todoro地平线2024
凯文·科斯特纳,西耶娜·米勒,萨姆·沃辛顿,吉娜·马隆,欧文·克劳肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯顿,柯林·坎宁安,斯科特·黑兹,汤姆·佩恩,阿比·丽,迈克尔·鲁克,威尔·帕顿,乔治亚·麦克菲尔,道格拉斯·史密斯,卢克·威尔逊,伊莎贝拉·弗尔曼,杰米·坎贝尔·鲍尔,亚历杭德罗·埃达,Wasé Winyan Chief,迈克尔·安格拉诺,安古斯·麦克菲登,乔恩·比弗斯,亚历克斯·尼布理,艾蒂安·凯利奇,Amos Jason Charging Cloud,博迪·奥库马·林顿,格雷戈里·克自拍复印机
Shenina Cinnamon,奇科·库尔尼亚万,Lutesha,杰罗姆·库尼亚,迪娅·潘德拉,Giulio Parengkuan,Mian Tiara,鲁思·马里尼,卢克曼·萨尔迪,Rukman Rosadi,Landung Simatupang,雅彦·鲁伊安,Elisabeth Pasaribu,Budi Ros,东尼·达玛拉村民总动员
阿图尔·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,乔安娜·特兹佩西丝卡,Cezary Zak,维克多·兹波罗夫斯基影视排行
暗网：谋杀案
艾登·霍华德,劳伦·杰克逊,达西·麦克唐纳,布伦丹·弗莱彻,克劳迪娅·阿卜西,吉米·亚历山大,阿卜杜拉·阿莫尔,肖恩·阿姆辛,乔希·布莱克,弗朗西斯·弗拉纳根,亚当·福克斯,艾米·古德默菲,马修·格雷姆,斯科特·盖莱特,贾米拉·霍尔,比利·威克曼,丹·扎卡里一名播客在寻找有关他妹妹死亡的线索时，进入了暗网，在那里发现了“THE MURDERSHOW”，在这个网站上，最高的加密货币出价者可以选择如何杀死受害者，如果你在看着他们，他们也在看着你。
迟来的愤怒
安东尼奥·德·拉·托雷,路易斯·卡叶赫,露丝·迪亚斯,劳尔·希门尼斯,曼诺罗·索洛,冯特·加西亚,皮拉尔·戈麦斯,艾丽西娅·鲁维奥,盖兹卡·阿达纳斯,马丁·卢纳,查尼·马丁,恩里克·德拉托雷,茵玛·桑乔,帕科·本杰梅亚,贝尔塔·埃尔南德斯威尼斯的地平线单元中，出现了这样一部电影，不扯人性，“三观”却正到让人大呼过瘾，这就是讲述了一个干脆利落的复仇故事的西班牙电影《迟来的愤怒》。 影片讲述了一个男人为了替在抢劫案中惨死的女友和变成植物人的老爸报仇，潜伏八年，甚至睡了抢劫团伙司机的孩子他妈，只为等他出狱，威胁他，顺藤摸瓜找到躲藏起来的真凶们，一个一个复仇。
审判游戏
阿米达普·巴强,埃朗·哈斯米,Krystle D'Souza,雷亚·查克雷伯蒂An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.