为了丈夫与社长签订婚外情契约的妻子
自从杏子进公司以来，老板就一直关注着她，当杏子嫁给渡边时，老板妒忌心极了。每当这对看似恩爱的情侣出现在眼前，老板都会恼火，但他无法放弃杏子，于是提出让她同时担任他的秘书和情人。然而，杏子拒绝了。后来，渡边犯下了一个致命的错误，他抓住机会，赢得了杏子的芳艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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狙击精英∶孤魂野鬼
查德·科林斯,汤姆·贝伦杰,瑞安·罗宾斯,乔什·布雷纳,Tuks Tad Lungu,多米尼克·马厄,Manuel Rodriguez-Saenz,米歇尔·伊萨·卢比欧掠杀者
利亚姆·坎宁安,宝拉雅娜·麦金托什,汉娜·斯坦布里奇,布莱恩·拉金,尼尔·格雷格·富尔顿,道格拉斯·罗素,乔纳森·沃森,布莱恩·威纳尔血腥姐妹会
科林·伊格斯菲德,迪伦·斯派比利,米娅·罗斯·弗兰普顿,兰迪·库卓,莱克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷内,梅莉尔·罗斯,泰勒·乔恩·奥尔森,凯瑟琳·勒,塔尼娅,谢伊·巴克纳,詹妮弗·提图斯,Natali Yura内幕2025
郭富城,任达华,吴镇宇,方中信,陈国邦,汤怡,周励淇,李靖筠,姜大卫,骆应钧,鲍起静,黎峻,耿长军,张文杰,苏家乐,张达伦,陈湛文,马俊怡,邹文正判决2025
里罗·得万托,礼萨·拉哈迪安毛骨悚然撞鬼经 2012夏季特别篇
山下智久,冈田将生,香里奈,刚力彩芽,スギちゃん,稻垣吾郎,本田翼,堀内敬子,莲佛美沙子,洼田正孝,桥本真实,菅田将晖,高桥光臣,手塚理美,木南晴夏,池津祥子同类推荐
开端2025
崔娜·蒂虹,大卫·丹席克,比约克·斯托姆,Luna Fuglsang Svelmøe,约翰·路易斯·施密特,Christine Gjerulff,Hanne Uldal,库尔特·德莱耶,Christopher Nallo,Frederik Malmose,Josva Engedal Jacobsen,Klaus Søndergaard,Andrea Enerstad Bolle,Alvin Bursøe,Karen Marie Holst Gudichsen,Noora Sofie Hjorth Biil安妮和托马斯正处于离婚边缘，这时安妮发生了中风，迫使他们不得不继续住在一起，并推迟了告诉孩子们他们即将分开的消息。面对这一新的现实，两人在最意想不到的地方找到了希望。
如来神掌2020
邹兆龙,巫迪文,唐菲,黄一飞龙剑北因为要筹钱救自己病重的妹妹，在一次机缘巧合之下，接触到神秘组织黑羽会，黑羽会不断在做人体实验，企图造出拥有超能力的改造人。为了钱，龙剑北接受超能力改造。由于控制不了体内的超能力，龙剑北拜了一位老者为师，学习驾驭超能力，学会了如来神掌，并结识了一位武林中的名门正派，二人一同上路，展开了各种紧张刺激的冒险……
维克多·弗兰肯斯坦
詹姆斯·麦卡沃伊,丹尼尔·雷德克里夫,杰西卡·布朗·芬德利,安德鲁·斯科特,马克·加蒂斯,露易丝·布瑞丽,丹尼尔·梅斯,弗莱迪·福克斯,布隆森·韦伯,埃利斯戴尔·皮特里,斯宾塞·怀尔丁,卡勒姆·特纳正驻扎于伦敦的马戏团内，生活着自幼驼背的青年（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）。他的丑样子只能供人家取乐，而青年独独热爱医学，尤其擅长解剖学。在某次演出事故中，青年用自己的学识救下了摔成骨折命悬一线的女演员罗蕾莱（杰西卡·布朗·芬德利 Jessica Brown Findlay 饰）。他的学问得到疯狂科学家维克多·弗兰肯斯坦（詹姆斯·麦卡沃伊 James McAvoy 饰）的赏识，于是后者想方设法将其劫了出来，还为其起名伊戈尔。在此之前，弗兰肯斯坦曾经做出盗取动物园死亡动物尸体的事情，而他这一系列的做法只为进行一项疯狂大胆的实验，那就是缝缝补补创造出来人造的生物。 疯狂之旅就此展开……
毒蜂
富大龙,许亚军,高梓淇,侯勇,吕良伟,王斑,郑晓宁,张苡宁,张静静,白庆琳,方姝晴,袁帅新型毒品“蜜蜂”在江州毒品市场肆虐，随着研制者“毒蜂”被缉拿归案，其配方也面临消失，毒界变得风声鹤唳。主人公段成（富大龙 饰）在一次押送途中越狱，并对外宣称自己是“唯一知道蜜蜂配方”的人，面临配方重出江湖的巨大诱惑，多方势力开始对段成展开威逼利诱。经历追杀、强行被注入毒品等非人折磨后，段成渗入毒巢，以“诱饵”身份一步步接近大毒枭“蜂王”……另一方面，江州警方的“捕蜂人行动”也正式启动，一场正与邪、善与恶的黑白对决一触即发……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.