即刻观影
剧情赏析
编辑推荐
宿命，吾爱：第二部
沙伊恩·布迈丁,奥菲莉·芭,Jessica Pennington,萨利姆·克希乌什,安德烈·雅各布斯,阿弗西娅·埃尔奇,亚历克西娅·夏达,Dany Martial,Marie Bernard,Delinda Kechiche,卢·卢蒂奥,Kamel Saadi,Athénaïs Sifaoui-Blanc阿明的暑假结束了。这位年轻的摄影师与他的casanova堂兄的前女友夏洛特度过了舒适的夜晚。她和他谈论文学，他给她拍照。在阿明与这些女性的相遇和他对电影的梦想之间，他有很多选择。
寻女朝圣路
切柯·扎罗内,比阿特丽斯·阿荷纳,莱蒂娅·阿诺,Martina Colombari,Beatrice Abbro,Norberto Morán,David Salinas,杰克·福赛思-诺布尔,Cecilia Gragnani,Llimoo,Marko Salminen,Hossein Taheri,Eduardo Diaz,Carlos Toca,Fanny Gatibelza,Jan Zawisza,Odón Nicolau,Robi Arquette,Lola Perez-Juana,Frances沙发帝国继承人Checco，过着奢华却空虚的生活。在50岁生日前夕，他发现叛逆的女儿Cristal失踪了，只留下一张指向圣地亚哥朝圣之路的纸条。为了找到女儿，Checco被迫放弃豪车豪宅，背上背包踏上艰苦的徒步之旅。在朝圣之路上，他脚起水泡、遭遇各种意外，遇到了形形色色的朝圣者，逐渐理解了女儿的想法，重新认识了亲情与人生。
三个神探与喀尔巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法尔,Mapi Plácido,Filip Schnack...
尸油降
卡文·英玛诺泰,Supawadee Kitisopakul,ชัยยุทธ กิติชัยวัฒน์阿坤（卡文英玛诺泰 饰）是个孤儿，由村里强大的萨满莱穆养大。他受雇驱魔，却偷偷进行黑魔法仪式，想提炼尸油赚钱迎娶心爱的女孩苏伊，没想到这触怒了鬼魂、招致报复。此时苏伊恰巧来找他，究竟阿坤能否以所学和信仰帮助自己和身边的人死里逃生？
最后一枪2025
Lham Somphol Rungphanit,萨里卡·塞思苏帕,帕塔纳·埃桑固Petch想摆脱杀手生涯，但逃离过去谈何容易？在爱情、忠诚与复仇之间挣扎，他被迫接下最后一单。每一枪响起，赌注都在升级。他的未来与自由，全系于最后一颗子弹。 “终极任务，致命一枪，无路可退。”
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster