火照姬
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan影片描绘了80年代日本社会的换妻群相：一对年轻夫妇——每天都在做老婆工作想让她一同参与换妻活动的旅馆老板，一对中年夫妇——组织相关活动的换妻杂志主编与酒吧老板，一对年轻恋人——被中年夫妇勾引进圈的事业有为记者和他喜欢的空窗期恋人
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社区战警
Poramat Paywongsa,Nattaporn Phetskaew,Kittisak Phrosekaew当社区的毒品问题开始影响居民并引发动乱时，人们将求助的目光投向了警方。然而，这些本应保护和服务民众的警官们，却对此问题视而不见。一群热心居民组成民防队，誓言将肃清不法扫荡三害！
半夜叫你别回头2
梅琼,赵翊骁,姜梦茹,沈璐,李世杰,陆烟,张莹莹,寒丰,严佳茵,武朋新婚的萧灵儿（陆烟 饰）前往儿时的山间别墅度假。途中，诡异事件接踵而至，双生女童、深夜归来的守门人，让萧灵儿惊恐不已。次日，萧灵儿的闺蜜和前男友不请自来，守门人的儿子带着女友来见家长。更恐怖的是，一个神秘的红衣女孩如鬼魂般在深山老宅中闪现，勾起了当地流传已久的鬼娃玛丽传说。在这深山隔绝之地，鬼娃使众人陷入死亡之境。灵异现象频繁出现，血腥事件不断发生，等待众人的是一个埋藏多年的鬼娃复仇传说。
野狼防卫战
维林斯·豪塞尔,博·霍普金斯,乔治·肯尼迪,金伯莉·贝克,布里翁·詹姆斯科学家们在一个小镇的供水系统中下毒，把居民变成杀人狂魔，他们互相残杀，任何人都能通过。
首都消失
渡濑恒彦,名取裕子,山下真司,江角英明,大泷秀治,石桥莲司,石野阳子,加藤治子,岸部一德,三木纪平,夏八木勋,龙雷太,相马刚三,丹波哲郎,津村鹰志,渡边文雄,财津一郎,海老名美どり这部灾难影片背景以现代日本为中心，主要描写东京突然被一股莫名的浓雾所笼罩，整个都会好像一下子消失了似的，各地政府及科研人员因此极为震惊，急忙组织起来研究对策。但是人们却无法穿越浓雾进入东京首都圈。这场浓雾形成了一个无法穿越的电磁屏障。而圈外的科学家们则在受损严重的军用侦察机上得到灵感，利用即将到来的台风和雷暴雨，加上人工大功率电磁干扰机，终于化解了这场戏剧般的非自然危机。 这原本该是一个不错的富有戏剧张力的构思，但拍出来的片子却教人不敢叫好，剧中女记者的角色刻划不具感染力，而她和男记者之间时好时坏的关系描写也让人感觉莫名其妙，确是让观众感觉象一场雾。
疯狂喜剧人
王一,童苡萱,盖雨嘉青年王二怀揣电影梦屡遭拒绝，女友也失望离去。他带着记录村民故事的笔记本回到家乡，用真诚打动乡亲们凑成草台班子，拍摄属于他们自己故事。面对城市资本的诱惑，他选择守护村里的根。最终电影上映，他与支持他的小梅开起喜饼店，把平凡日子过成了真实的甜。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.