出轨的女人
万太太(夏文汐 饰)于无意中发现丈夫出轨的照片,十分痛苦伤艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。朋友Jojo(叶璇 饰)和何太(吴家丽 饰)等人拉她去了邻近的某高级娱乐会所嫖男妓。Jojo与丈夫黑白哥(杜汶泽 饰)感情冷淡,生活不合,因此长期在外寻欢作乐。何太太的丈夫忙于生意,冷落了家庭,她寂寞孤寂之下也开始在外寻欢作乐。在会所里,何太和万太同时看上了帅气迷人的bill(陈伟霆 饰)。心灰意冷的万太却发现bill对她分外热情,两人在肉体金钱关系之外逐渐陷入了爱情。何太不愿万太霸占bill,于是两人开始了一场抢夺。某日清晨醒来万太发现身边的人不是bill却是他的同胞弟弟ben,故事慢慢展开了一场惊人的阴谋与纠葛......
影片推荐
同类精选
猎局反转
弗兰克·格里罗,欧嘉·柯瑞兰寇,奥利弗·特雷韦纳,兰达,Vladislav Lapidus,Lacy McClory,Emilija Matic迷妄国度3
碧帕莎·芭素,埃朗·哈斯米,杰奎琳·费南德斯大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二猫小姐莫西
芭芭拉·萨拉菲安,Sarah Bannier,彼特·恩布雷希茨我能有个见证人吗
Keira Jang,吴珊卓,里斯·普雷斯利,Elmira Bashash,乔尔·欧莱特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特纳,派崔克·盖勒,Naika Toussaint,安德烈·安东尼,多米尼克·卢基·马泰尔,奥斯卡·查克,裘德·威尔逊,Cassandra Sawtell,特德拉·罗杰斯,Ally Battaggia,Kymo Van Oers异形侵袭
Ian McCulloch,Louise Marleau,Marino Masé影视排行
白石州往事
内详是中国独立电影导演蒋润庭创作的科幻小说,在番茄小说网连载,以虚构城市白石州市爆发“WOC-13”新型狂犬病毒为背景,通过多角色故事展现末日危机下的人类求生选择。
湖海迷情
宋星辰,特力克·尔斯汗,李一聪,加盆,塞力克拜·阿依恒讲述了三流渔夫悦无名,在当地那座流传着水怪传说的神秘湖泊上整日漂泊。某天,他从湖中意外捕获了一条美人鱼,小镇从此被层层面纱笼罩,直到一个男人的出现,这神秘的一切最终真相大白。影片融合了悬疑和爱情元素,探讨了命运、因果与人性。
身体集合.zip
金玟锡,金彩恩,权雅凛,姜俊圭,金亚炫,赵宇丽老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式,信徒們依序祈願並獻上祭品。接著終於輪到詩京了,這時她才驚覺祭品竟然是身體的一個部位,這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事,當集滿身體所有部位時,血淋淋的恐懼就會覺醒!
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.