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快感來襲！爆乳女神「張誾昕」乳力全開奱緊緊
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火山下
威廉·莱维,玛吉.斯班多斯,阿德里亚娜·托雷维哈诺,法比奥拉·瓜哈尔多,伊利娅·盖尔拉,Pino Montesdeoca,Antón Lofer河东狮吼
张柏芝,古天乐,范冰冰,黄伟文,许绍雄,张锦程,黄浩然,毛坚无法在你的脸上哭泣
芳根京子,高桥海人,西川爱莉,武市尚士,中泽元纪,前原滉,林裕太,大塚宁宁,赤堀雅秋,片冈礼子,山中崇神探伽利略 禁断的魔术
福山雅治,北村一辉,新木优子,村上虹郎,森七菜,渡边一计,泽部佑,朝仓亚纪,中村雅俊,铃木浩介,平原テツ恶魔的艺术
阿丽莎·维尔斯,苏帕克森·柴蒙蔻,特林·赛塔欧克,克朗通·拉查塔万,颂猜·沙图吞,埃萨拉·奥查库,尼鲁·素查,克里塔尤德·蒂姆纳特,鲍勃·布克霍尔兹,雪莉·嘉森,桑迪·福克斯,艾尔维亚·盖坦,格兰特·乔治,尤里·洛文塔尔,戴夫·麦罗,苏珊·马奎,布莱斯·峇本布鲁克,塔拉·普拉特,萨姆·里格尔,克莉丝汀·卢瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃伦分秒之间
瑞切尔·布莱克,苏茜·波特,文斯·科洛斯莫,马丁·萨克斯,苏珊·普赖尔,megan dale,丽莎·凯,greta carew-johns导演精选
时间里的爱人
前途无量的女主厨Almut（弗洛伦丝·皮尤 Florence Pugh 饰），遇上失婚男子Tobias（安德鲁·加菲尔德 Andrew Garfield 饰），一次邂逅，改变了余生。就在两人相爱成家之后，一个突如其来的真相，也将撼动他们幸福的生活……
蓝丝绒
杰弗里（凯尔·麦克拉克伦 Kyle MacLachlan 饰）为了照料父亲而回到了久违的家乡小镇，哪知道在误打误撞之中令一场凶杀案件浮出水面，杰弗里就此结识了负责调查此案的警察威廉斯（乔治·迪克森 George Dickerson 饰），以及他的女儿桑迪（劳拉·邓恩 Laura Dern 饰）。桑迪告诉杰弗里，时间的真相或许和一个名叫多萝西（伊莎贝拉·罗西里尼 Isabella Rossellini 饰）的歌女有关。 美丽神秘的多萝西很快就令杰弗里失去了理智，他偷偷的潜入了多萝西家中，恰巧发现了多萝西正在被一个名为弗兰克（丹尼斯·霍珀 Dennis Hopper 饰）的黑帮大佬虐待的事实。此时的杰弗里才开始意识到，在自己的视线范围之外，发生着很多黑暗而又罪恶的可怕之事。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster