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飞越疯人院
杰克·尼科尔森,路易丝·弗莱彻,威廉·雷德菲尔德,克里斯托弗·洛伊德,威尔·萨姆森,特德·马克兰德,布拉德·道里夫,斯加特曼·克罗索斯,迈克尔·贝里曼,彼得·布罗科,穆瓦科·卡姆布卡,威廉·达尔,乔西普·艾利克,西德尼·拉斯克,凯·李,德怀特·马费尔德,路易莎·莫里茨,丹尼·德维托,菲利普·罗斯,米米·萨奇席恩,文森特·斯卡维利,米斯·斯马尔,德罗斯·V·史密斯多莉
法比娜·泰蕾兹,Russ Tiller,米夏琳娜·阿尔门多,Kate Cobb,伊桑·苏普利,西恩·威廉·斯科特,Max the Impaler鬼裂面
Usamanee Waitayanon,Nathanon Narathanyawirun,Tong Archariya Sritha纽伦堡的审判
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔附身
阿比盖尔·布雷斯林,大卫·休莱特,史蒂芬·麦克哈蒂,彼得·奥特布里奇,米歇尔·诺尔顿,萨曼莎·温斯坦王胜：紫色
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诡风怪谈
茱莉亚·古丹妮·泰勒斯,阿什利·祖克曼,凯特琳·杰拉德,迪伦·麦蒂西部荒野，住着麦克林夫妇——伊萨克（阿什利·祖克曼 Ashley Zukerman 饰）和莉兹（凯特琳·杰拉德 Caitlin Gerard 饰）。这里条件艰苦，环境恶劣，人烟稀少，野兽横行。莫大的孤寂令莉兹时常警惕地环视四周，防备一切可能的危险。某天，哈普尔夫妇——吉迪恩（迪伦·麦蒂 Dylan McTee 饰）和艾玛（茱莉亚·古丹妮·泰勒斯 Julia Goldani Telles 饰）搬到了麦克林家附近，成为他们的邻居。两家人很快就成了好朋友，特别是莉兹有了艾玛这个好姐妹，似乎心理也正常了许多。 好景不长，某晚艾玛的情况变得很糟糕，她担心神秘的存在将危及她的孩子。荒野大风卷起，乌云密布……
绫音的高踢腿
宫村优子,川村万梨阿,西原久美子,大塚明夫,山口胜平女子キックボクシングを題材としたスポ根アニメ。プロレスラーを志望していた三井綾音がキックボクシングで活躍していく姿を描く。女子プロレスラーの豊田真奈美や前川久美子なども実名で登場している。当初は全4巻の予定であったが、諸般の事情により2巻で打ち切りとなり、未完で終わった。
活着
葛优,巩俐,姜武,牛犇,郭涛,张璐,倪大红,肖聪,董飞,刘天池,董立范,黄宗洛,刘燕瑾,李连义,杨同顺根据余华同名小说改编。富少福贵（葛优）嗜赌成性，妻子家珍（巩俐）屡劝无果后带着女儿凤霞离开了他，当夜，福贵输光所有家产气死父亲，被迫靠变卖母亲首饰租间破屋过活。一年后，家珍手拉凤霞怀抱刚出世的儿子有庆回到家中，福贵痛改前非，开始靠演皮影戏过起安份守己的日子。但好景不常，内战时期，福贵被国民党抓去当劳工，一番辗转终回到家乡与一家人团圆后，凤霞因病变成哑巴，而在后来的大跃进运动和文化大革命中，他虽获某些小福，逆境却也一直与他如影相随。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
刺透
克里斯托弗·阿波特,米娅·华希科沃斯卡,莱娅·柯丝达,奥利维亚·邦德,玛丽亚·迪齐亚,马琳·爱尔兰,达科塔·卢斯提克,维德尔·皮尔斯该片故事讲述一名变态杀手（克里斯托弗·阿波特 饰）计划在酒店招妓（米娅·华希科沃斯卡 饰），并将其谋杀。然而他计划却失败了。