淫女收留所2

　　加拿大导演戴维．克罗南伯格执导的本片，主要描写骇人听闻的疯狗病，受传染的人会口吐绿液，双眼发光，并且见人乱咬，几个小时后即不治而亡。美国著名的“性”星玛里琳．查姆伯丝扮演的罗丝小姐幼时曾患过疯狗病，因车祸受伤引起病毒复发，腋下竟然不可思议地长出一个嘴巴，而且内有一个可伸缩自如的肉刺，专用来插到别人身上吸血。于是，她在一个接一个吸别人血的同时，也把疯狗病迅速传播，使城市瞬间成为疯人满布的人间地狱……　　影片评价　　仅仅就身体变异而言，克隆伯格的独特之处在于处处不忘对色情幻想进行扭曲，无论是《狂犬病》（Rabid）中女主角必须由腋下长出一只阴茎来对其阴道作出支撑，还是《录像带谋杀案》（Videodrome）中男主角长出阴道般的裂口，都是这种扭曲的必然，连录像带的转子，都像双乳一样扭动。《录像带谋杀案》其实还有一个原来设想的结局，就是一男（男主角麦克斯）两女（尼基和卞卡）合体，同时以各自的变异性器官相互绞缠吞噬。在《赤裸的午餐》(Naked lunch)中，那个最终撕开男性外皮露出女体乳房的总裁如果还不够刺激，等你意识到她的装束是女同施虐的标准配备，就会有格外的颤栗。

 OVA化もされた園田健一原作のコミック「ガンスミスキャツ」の元となったOVA。「ロードバスター」の名を持つ凄腕の運び屋であるビーン・バンデット。ある日、ビーンはグリムウッド家の令嬢であるチェルシーを誘拐した容疑をかけられ、警察から追われる身になってしまった！ 果たして、彼の運命は…？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

暴雨将至，轰隆隆的声音夹杂着人群的呼喊声砸向操场，正在参加小学田径比赛的唐平安重重的摔倒在地面，当母亲李枚赶到医院时，医生却给了再生一个孩子做骨髓移植的建议，李枚怔怔的站在深不见底的楼道，像是对她过去十几年最好的惩罚，故事从这里开始。十几年前，李枚在计划生育政策下为了生二胎，不得不将襁褓中的女儿岁岁远送他乡亲戚，不料几年后，渐渐成熟的岁岁却成了猥琐养父趁女儿洗澡时偷偷窥视的对象，看上去多余的岁岁在一次争吵后离家出走，流浪的女孩却遇到了新的“父亲”刘建凯，一个住在船上打渔为生的男人，以父女相称，看起来生活就这么好起来了。几年后，突然一个陌生的女人闯入岁岁的生活，自称姑妈。其实是李枚儿子平安突发白血病以后，他们想起了被自己抛弃的女儿，通过当年的一丝联系，辗转找到了女儿岁岁，这是这个家庭唯一的希望。只是女儿岁岁似乎早已经知道了真相，他们互为朋友，互相试探，互相利用，最终他们都要回家，可是岁岁的家到底在哪里？