夏娃的诱惑:吻
陷入的瞬间,毁灭也随之到来。暂无内容暂无内容暂无内容韩国版《本能》情色系列《夏娃的诱惑》四部曲之三 恋爱七年结婚的英勋和静林是一对令人艳羡的夫妇。英勋是一个成功的摄影师,静林是一个位食品营养师。两个人住在宁静的郊外,生活安逸。相恋时的狂热渐渐平息,两人之间的关系更像无话不谈的好朋友。英勋的摄影作品一般以年轻的裸体女子为模特。静林虽然也会担心丈夫是否会和这些女模特发生暧昧,但两人之间始终充满了信任。 某天,和往常一样,英勋在家附近慢跑锻炼,巧遇新搬到此地的一对夫妇。丈夫贤哲表情威严,不可一世,妻子孝珍小心谨慎,不乏畏惧。这对夫妻的微妙关系令旁观的英勋十分好奇。从那以后,英勋无意识地开始通过家里的窗户偷窥邻居孝珍的一举一动,渐渐成瘾。一次偶然的契机下,孝珍夫妇受邀来英勋家做客。敏感无礼的贤哲令静林感到十分不快。 一天,外出散步的英勋和前往寺庙的孝珍同行。英勋被孝珍吸...
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正义联盟:无限地球危机(下)
凯缇·萨克霍夫,迪恩·文特斯,马克·哈米尔,寇瑞·斯托尔,雅士利·伯奇,布莱恩·布鲁姆,布雷特·道顿,凯文·康瑞,杰森·斯皮萨克,艾尔西亚·罗塔鲁,辛希亚·卡耶·麦克威廉姆斯,尔玛·泰勒Trapped in a pocket universe, surviving Earths face annihilation by the Anti-Monitor. Time shatters, bringing past heroes to aid Justice League against the epitome of evil. Their sacrifice may lead to victory.
寻女朝圣路
切柯·扎罗内,比阿特丽斯·阿荷纳,莱蒂娅·阿诺,Martina Colombari,Beatrice Abbro,Norberto Morán,David Salinas,杰克·福赛思-诺布尔,Cecilia Gragnani,Llimoo,Marko Salminen,Hossein Taheri,Eduardo Diaz,Carlos Toca,Fanny Gatibelza,Jan Zawisza,Odón Nicolau,Robi Arquette,Lola Perez-Juana,Frances沙发帝国继承人Checco,过着奢华却空虚的生活。在50岁生日前夕,他发现叛逆的女儿Cristal失踪了,只留下一张指向圣地亚哥朝圣之路的纸条。为了找到女儿,Checco被迫放弃豪车豪宅,背上背包踏上艰苦的徒步之旅。在朝圣之路上,他脚起水泡、遭遇各种意外,遇到了形形色色的朝圣者,逐渐理解了女儿的想法,重新认识了亲情与人生。
放飞旅行团
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外星+人
柳俊烈,金宇彬,金泰梨,苏志燮,廉晶雅,赵祐镇,金义城,李荷妮,申正根,李时勋该片讲述了道士们争夺传闻中神剑的高丽末期和外星人出没的2022年之间的时光之门被打开后,引发的异想天开的故事。
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.