漂亮女客栈

评分:8.5 播放:73万 更新:2026-05-28
主演: 장두만/

李采潭饰演的女主因丈夫出轨,离婚后寄宿在好姐妹的家里,并没有觉得什么不方便,然而李采潭有一个特点,喝醉酒后容易断片,发生过任何事都会忘记,包括她挑逗勾引好姐妹丈夫的事情,也忘得一干二净,好姐妹丈夫发现这一特点后,将此事告诉了自己公司的老板,好色的老板很想体验这种不用负责任的一夜情,于是找上门来...

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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  托马斯的妹妹在一次事故中神秘死去,而妹妹的死亡很可能与他们过世父亲参加的一项秘密军事研究有关。托马斯随即展开了调查,不料却让自己和家人都陷入了极大的危险之中。一伙不明身份的人开始对他们展开了天罗地网式的监察。

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她离开丈夫与儿子,也离开稳定的律师工作,在泳池、露天咖啡厅与私人公寓自在游走。以写作寄托生活,对儿子的爱未减半分,与丈夫也亲如挚友,直到那日,她向丈夫吐露与女性的亲密关系,完美生活旋即化为一场幻梦。在失去监护权后,她不得不在机构间穿梭,为了见儿子一面奋力一搏,却不知这样的困境,何时能走到尽头?