引诱了隔壁的男人

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　A young mad genius attempts to 'hack the human mind' in order to fix humanity.

　　堅持到底的瘋狂執著者、活力爆棚的樂天派、顏值爆表的潮流DJ志願生、腦洞大開的怪咖，還有直率爆笑的傻大姐——這五位從小一起長大的死黨，雖然個性南轅北轍，但卻默契滿點。在友情屆滿24週年的同時，他們終於迎來夢寐以求的「人生首次海外旅行」！只是沒想到，這場說走就走的旅程，卻秒變災難現場：走失、誤會、鬧劇不斷升級，他們能否克服重重危機，重新找回彼此？而這場瘋狂之旅的終點，會是一生中的難忘回憶，還是友情的轉捩點呢？

　　本片讲述了一位在东京落魄的美国演员的故事。他受雇于一家日本家庭租赁公司，充当门面上的“美籍演员”，由此通过扮演他人生活中的各种角色，踏上了一段意想不到的自我发现之旅。