青春美女完美身材薄纱下诱惑一字马

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青春美女完美身材薄纱下诱惑一字马

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青春美女完美身材薄纱下诱惑一字马

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梅根失踪

安伯·珀金斯,蕾切尔·奎恩,迪恩·维特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普尔·斯图瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德鲁·道布勒

  梅根斯和艾米性格迥异,却成为了最好的朋友。一天梅根在网络聊天室里遇见男孩乔希,两人一投即合。然而,梅根在去见乔希后神秘消失,艾米于是竭尽全力寻找好朋友。(文/life_is_good@YDY)

卡萨诺瓦1976

唐纳德·萨瑟兰,蒂娜·奥蒙特,Cicely Browne,卡门·斯卡尔佩特,Clara Algranti,Daniela Gatti,玛格瑞斯·克里蒙地,奥林匹娅·卡尔立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼尔·埃米尔福克,Luigi Zerbinati,Hans van de Hoek,杜德里·沙顿,约翰·卡尔森,雷吉·纳尔德,芭芭拉·斯蒂尔,弗朗切斯科·德罗萨,Harold I

 意大利导演费德里克.费里尼的中期经典作《八部半》是其成熟高峰期作品,此后开始走向糜烂而至腐败,偏于肉欲放纵和自我沉溺,像《费里尼之萨蒂尼康》(六九年)和本片,都是糜烂颓废的出色力作。本片反映了十八世纪基督道德不振后的上流腐化放纵,费里尼尽情借题发挥,展现出精英文艺在人欲横流下的腐烂情态。大情人卡萨诺华是在情场屡战屡胜的“性斗士",不断猎艳,还参加造爱竞赛。但这大情人苦于人人只重他的性爱能力,不重视他经世济民治国的才学。而且女人们对他都“有性无爱",当他衰老得失去性魅力之后,就只能把一个机械女人当作梦中情人,很可悲可怜。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

雏菊1966

雅罗斯拉夫·库切拉,伊万娜·卡尔班诺娃,埃斯特尔·克伦巴赫乔娃,伊特卡·采尔霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková

 影片开始于两个都叫玛丽的少女(Jitka Cerhová 和 Ivana Karbanová 饰)的对话:没有人理解我们,这个世界上的一切正在变得越来越糟糕。于是两人决定:我们也要变得越来越坏!玛丽一号喜欢和老男人约会,在他们吃饭的时候,玛丽二号会突然出现,旁若无人地大吃特吃。玛丽一号把老男人送上火车,老男人以为她会陪着他,火车开动,她却下了火车。玛丽二号在一个收藏蝴蝶标本的男青年家中,用他的标本遮住自己身体的隐秘部位。她们在夜总会里捣乱,最后被赶走。她们无意中闯入一个没有人的宴会,开始肆无忌惮地享受美食.....本片献给精神生活一团糟的人们。

无论如何我爱你

 这部精美的动画短片由编剧/导演威尔·麦柯马克和迈克尔·戈维尔联手打造。在悲剧发生后,一对父母失去了孩子,伤心欲绝的他们要面对随之而来的失落感。

贝尔女巫萦绕

Marissa Lynne Johnson,Laura Alexandra Ramos,Cat Alter,Natalie Burtney,Drew Cash,Julia Cearley,M. Steven Felty,Drew Hellenthal,Desi Ivanova,Benjamin James,Ted Jonas,Jason Kakebeen,丹妮·洛朱,James Simenc

  故事据真实事件改编,本片由罗伯逊县警长手机和摄像机的尸体上为素材,制造了一起灵异事件……