公开的附身性爱，用来安慰童贞男的灵魂

伪钞重案

上世纪九十年代，特大伪钞案暗流涌动，社会动荡不安。退役散打王郑明为救治白血病女儿，意外踏入凶险的伪钞产业链，在生死边缘挣扎求生。刑警谢家同誓破伪钞源头，二人从针锋相对到暗中周旋，上演猫鼠博弈。郑明在暴利与良知间反复拉扯，暗中向警方传递线索，试图戴罪立功。当他决心交出核心伪钞母版、彻底脱身时，女儿却被绑架要挟。绝境之下，他与谢家同放下隔阂，联手出击，在宗族宗祠与民俗游行中展开终极血战，捣毁庞大伪钞帝国，以热血捍卫正义与亲情。

迷失禁区

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杂交种

　　The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...

死星

Claudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.

继女2024

狗心1988

　　米哈伊尔·阿法纳西耶维奇·布尔加科夫1891年生于基辅，1940年逝世于莫斯科。世界文坛称他是一位思想深邃、以大无畏精神向一切邪恶挑战的文学大师。其代表作《狗心》、《白卫军》、《大师和玛格丽特》等曾被苏联当局查禁没收，或“默杀”。作家死后恢复名誉、苏联文坛两度掀起“布尔加科夫热”。现在他的作品进入现代经典之列，被誉为20世纪最伟大的文学珍品之一。　　《狗心》作于一九二五年初，在文学圈子里获得一致好评，人们发现它确实尖锐地抨击了现实，但它抨击的是现实中的粗野、愚昧和荒廖。小说写一条狗因为做了人的脑垂体移植手术，突然成了有人外表的流氓，致使流氓习气随着脑垂体分泌的激素，渗入了取名沙里科夫的实验室怪物的每个细胞。沙里科夫的可怕不公在于他身上那些流氓无产者的劣性，并且在于他对社会主义的庸俗化.表面上看来，《狗心》很像一个科幻故事，但是实际上却有着反乌托邦小说的关于哲理和社会的深邃思考。　　国际知名的医生菲利普·普列奥布拉任斯基教授，为了进行改善人种的优生学试验，把一个刚刚死去的行窃的酒鬼的脑垂体和睾丸移到一只叫沙里克的狗身上。沙里克竟变成了“还处于最低发展阶段的”人——沙里科夫。　　这个能讲人言、衣食如人的衣冠禽兽，一天天显示出是一个怀着“一颗最为卑鄙龌龊的心”的败类：酗酒、偷窃、说谎、告密、无耻下流，直至栽脏陷害、用手枪威胁要强占教授的住宅。更有意味的是，这个狗“出身”的沙里科夫竟然被政府赏识而任命为莫斯科公共卫生局清除流窜动物科科长。他穿上了皮夹克(这是当时文学作品里革命者的形象模式)，出入有专车——尽管是卡车。幸而两位“造物主”普列奥布拉任斯基教授和博尔缅塔尔大夫及时用手术把沙里科夫还原为沙里克，才没酿成惨祸。　　在这篇小说里，布尔加科夫力究天人之际，思考着人与自然、人与社会的关系、人的能力限度以及人对于整个自然界的责任。实际上，布尔加科夫继续阐释着一个重大的主题：人不应该僭越，不应该觊觎全能的上帝的位置。这个上帝便是自然、社会的客观法则。试图超越社会、自然的进程，把科学变为破坏客观规律的迷信，狂热蛮干地“创造历史”，是不能不受到惩罚的。正如小说《不祥之蛋》中，佩尔西科夫教授虽然掌握了科学，却缺乏对人类社会的责任感，最后死于疯狂的群众的乱拳之下；而给人类社会带来可怖的厄运的洛克，急功近利而智力低下到根本谈不上什么责任感问题，却“带着官家的公文”，则是更为可怕的。　　而在《狗心》中，国际首屈一指的名医菲利普·普列奥布拉任斯基教授空前绝后的完美手术只能创造出险些置其于死地的社会败类。普列奥布拉任斯基教授经受了自作自受的“科学实验”之后，终于觉悟道：“看吧，如果一个研究者不是摸着大自然的脉搏，与之共进，而是想加速问题的解决，揭开那神秘的帷幕，那么，就给你个沙里科夫尝尝，还让你吃不了兜着走。”　　看来，人要充当上帝——造物主的角色，结果只能是对上帝的讽刺性模拟。干扰世界的客观进程最终只能落得搬起石头砸自己的脚的下场。