BJ脱衣舞女团
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阿凡达：火与烬
萨姆·沃辛顿,佐伊·索尔达娜,西格妮·韦弗,史蒂芬·朗,奥娜·卓别林,大卫·休里斯,凯特·温斯莱特,贝利·巴斯,吉奥瓦尼·瑞比西,杰梅奈·克莱门特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,乔·大卫·摩尔 ,杰克·尚皮永,马特·杰拉德,科斯顿·约翰,菲利普·盖廖,布里坦·道尔顿,特里尼蒂·布利斯,小杜安·埃文斯火车司机日记
拉扎尔·里斯托夫斯基,佩塔尔·科拉克,米尔亚娜·卡拉诺维奇,雅丝娜·杜里契奇,穆拉登·内勒维奇,尼娜·扬科维奇,达妮卡·卡斯托夫斯基,哈里斯·布里纳,蒂赫米尔·斯塔尼克,帕夫莱·埃里克,朱吉娜·拉迪克,内纳德·西里克,娜塔莎·马尔科维奇,尼古拉·布拉托维奇,博扬·迪米特里耶维奇,乔万·卡斯托夫斯基,亚历山大·格里戈利克极限启航
朱丽叶·塞茜尔,Esmeree Sterling,Brennen Amonett无形的本质
Laura Brandão,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia死亡不存在
卡蕾尔·通布莱,芭芭拉·于尔里克,Zeneb Blanchet,Mattis Savard-Verhoeven,Irène Dufour超级仓鼠3：松鼠奇谋
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趣塔德庄园
戴米恩·路易斯,凯瑟琳·沃特斯顿,托马辛·麦肯齐,本·拉德克利夫,汤姆·费尔顿,艾玛·莱尔德,李·布罗德曼,汤姆·古德曼-希尔,吉米·卡尔,莉莉·奈特,亚当·伍德沃德,查理·罗尔斯,卢卡斯·凯利,内森·霍尔,亚历山大·巴特勒,莉兹·霍普利,艾琳·奥斯汀,玛格达莱娜·斯维兰德,杰玛·瓦德尔,劳瑞·奥格登Fackham Hall 对传统的时期剧如《唐顿庄园》和《高斯福德庄园》进行戏谑。这部作品被形容为“延续了《裸枪》系列和《空前绝后满天飞》等经典笑料不断的恶搞喜剧的传统”。 费恩斯·提芬将饰演一名新来的搬运工，他与英国一个显赫家族的小女儿（麦肯齐）展开了一段出人意料的关系。同时，达文波特家族内部矛盾不断爆发，由达文波特勋爵和勋爵夫人（沃特斯顿）领导的家族还要面对长女（莱尔德）和她不靠谱的堂弟婚礼惨败的巨大尴尬。
记忆裂痕：血亲幻影
里罗·得万托,法拉迪娜·穆夫提,冯尼·安格莱尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring国际知名微缩画家Alif遭遇严重车祸后失忆，一名老妇人突然现身，自称是他失散18年的母亲。Alif在拼凑破碎记忆的过程中，逐渐发现母亲的身份疑点重重，同时揭开了自己童年、家族与马林・昆当传说背后的黑暗真相。他必须在身份崩塌与创伤反噬中，直面自己的过去，终结这场由传说编织的悬疑迷局。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春闺风月
艾琳·邓恩,加里·格兰特,拉尔夫·贝拉米,亚历山大·达西,塞茜尔·坎宁安,莫莉·拉蒙特,乔伊斯·康普顿,罗伯特·沃里克,玛丽·福布斯,Esther Dale,Robert Allen故事发生在车水马龙的大都市纽约，杰瑞（加里·格兰特 Cary Grant 饰）和露西（艾琳·邓恩 Irene Dunne 饰）是一对感情十分要好的夫妻，两人时常结伴出入上流人士所举办的高端晚宴之中，生活极尽奢华，但随着时间的推移，这表面幸福的婚姻生活终究还是出现了裂痕，杰瑞和露西决定离婚。在两人分开之后，杰瑞邂逅了富有而又美丽的遗孀芭芭拉（莫莉·拉蒙特 Molly Lamont 饰），露西则傍上了石油大亨丹尼尔（拉尔夫·贝拉米 Ralph Bellamy 饰），可寻找到了各自幸福的两人却并不能相安无事，正相反，他们开始想方设法的破坏和阻挠对方的情感关系，就此引出了一系列荒诞可笑的意外。
素媛
薛景求,严志媛,李来,金海淑,金相镐,罗美兰,杨真诚,权泰元她（李来 饰）是一个美丽平凡的小女孩，和爸爸妈妈生活在位于街角的家中。家里经营着以她的名字素媛命名的杂货店，母亲（严智媛 饰）作为老板娘日夜忙碌不得闲暇，父亲则在工厂干着繁重的工作。在那个飘雨的早上，素媛打着雨伞独自上学。在离学校近在咫尺的地方，她遭遇一个相貌猥琐、酒气冲天的大叔，由此开启了她的悲剧之旅。柔嫩的小花遭到暴风雨无情摧残，受伤的岂止枝枝叶叶，更是那迎着阳光无忧成长的心。无良媒体铺天盖地大肆渲染，作为受害者的素媛一家仿佛成了周身污秽的耻辱之人，被四周诧异好奇的目光所包围。妈妈悲痛欲绝，几近崩溃。爸爸全力保护女儿，但受伤的小天使却拒绝爸爸的靠近。问凶之路伴随着天使的治愈旅程，美丽的女孩可会再露灿烂笑容？