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初始者
什恩·卡鲁斯,大卫·苏利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat阿爸请你嘛嘛吼
邱凯伟,严正岚,陈峻廷,张哲伟,潘慧如,赖铭伟首都消失
渡濑恒彦,名取裕子,山下真司,江角英明,大泷秀治,石桥莲司,石野阳子,加藤治子,岸部一德,三木纪平,夏八木勋,龙雷太,相马刚三,丹波哲郎,津村鹰志,渡边文雄,财津一郎,海老名美どり追恶
释小龙,王真儿,刘峰超,刘怡潼旷野
亨特·杜汉,山姆·贾格,凡妮莎·肖侏罗纪统治
Eric Roberts,Jack Pearson,Jamie Bernadette同类推荐
突破二十五马赫
凯特·卡普肖,莉·汤普森,凯利·普雷斯顿,拉里·B·斯科特,华金·菲尼克斯,泰特·多诺万,汤姆·斯凯里特,巴里·普赖默斯描述一群青少年学生参加美国太空总署主办的太空夏令营,亲身体验太空登月的操作环境。不料在一次意外中,他们乘坐的太空舱竟然真地发射升空,几个年轻人登时六神无主,幸好有一个机器人留在舱中协助他们化险为夷。在众多的太空科幻片中,哈瑞.温勒导演本片较著重太空知识的传递而非眩目迷人的特效。外景在NASA 实地拍摄,有些地方颇令人大开眼界。凯特.卡普肖饰演女教官、利.汤普森、凯利.普雷斯顿饰演太空历险的学生,但最讨人喜欢的还是那个造型和表演都相当有趣的机器人。
芭比之粉红舞鞋
凯蒂·克朗,特雷弗·德瓦,布瑞特·迪尔克里斯丁(凯莉·谢里丹 Kelly Sheridan 配音)是一名芭蕾舞者,在严格的老师娜塔莎(塔比莎·杰曼 Tabitha St. Germain 配音)手下学习。同时在拜在娜塔莎门下的,还有另一个非常优秀的舞者塔拉(阿里·利伯特 Ali Liebert 配音)。娜塔莎非常喜欢塔拉,塔拉也因为得到了老师的喜爱和认可而沾沾自喜。娜塔莎希望克里斯丁能够像塔拉一样跳舞,但克里斯丁是一个非常有主见的女孩,总是违抗师命,这让娜塔莎觉得很不高兴。一天,克里斯丁在偶然之中得到了一双粉红色的芭蕾舞鞋,穿上了舞鞋的她和舞蹈团的裁缝海丽(凯蒂·克朗 Katie Crown 配音)一起被传送到了一个芭蕾舞的世界之中。
地狱无泪
卢克·拜恩斯,格温·范·丹,塔蒂安娜·马尔贾诺维奇,奥德莉·尼尔,加里·卡斯帕,艾瑞克·费洛斯,温·赖克特
混凝土市场电影版
李在仁,红炅,郑满植,刘秀彬,金国熙,崔正云,宋智仁,李家晴,李道根,孙寅勇...
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.