剧情纵览
俊碩和鍾鎮都是攝影師,是親密的朋友。拍攝內衣廣告的日子對他們來說就像是能量的源泉,俊碩經常以內衣模特的身份與秀智一起度過一段奇怪的時光,但俊碩卻要求鐘鎮找一個巨乳模特。鐘鎮介紹了前幾天他拍攝的珠熙。俊碩喜歡C罩杯的珠熙,俊碩向秀智提供了正在尋找腿模的鐘鎮的聯繫方式…俊碩與珠熙一起拍攝內衣廣告,鐘鎮還與秀智一起拍攝絲襪,在拍攝兩人的同時,他們與珠熙和秀智發生了性關係……鐘鎮和俊碩在談論模特時了解彼此的性取向....
俊碩和鍾鎮都是攝影師,是親密的朋友。拍攝內衣廣告的日子對他們來說就像是能量的源泉,俊碩經常以內衣模特的身份與秀智一起度過一段奇怪的時光,但俊碩卻要求鐘鎮找一個巨乳模特。鐘鎮介紹了前幾天他拍攝的珠熙。俊碩喜歡C罩杯的珠熙,俊碩向秀智提供了正在尋找腿模的鐘鎮的聯繫方式…俊碩與珠熙一起拍攝內衣廣告,鐘鎮還與秀智一起拍攝絲襪,在拍攝兩人的同時,他們與珠熙和秀智發生了性關係……鐘鎮和俊碩在談論模特時了解彼此的性取向....
持续在世界各地进行修业之旅的小智(松本梨香 配音)、小刚(うえだゆうじ 配音)和小光(豊口めぐみ 配音),历经长途跋涉终于来到了位于山谷丘陵处的目的地阿拉莫斯镇。小镇上耸立着象征时间与空间的时光之塔,新一轮的神奇宝贝竞赛将在塔的下方举行。小智一行走错了路,却由此结识当地的美丽女孩艾丽丝(加藤ローサ 配音)。紧张的战斗与快乐的游玩,却未察觉危险正悄悄逼进。小智遭到噩梦精灵达库莱伊的袭击,虽然达库莱伊被当地所有人讨厌,但是它似乎想将某种危险、恐怖的信息及时传给小智一行,关于时空之塔的秘密即将揭开…… 本片为神奇宝贝系列第十部电影剧场版。
该片以大地震后荒废的首尔为背景,讲述聚集在此地唯一剩下的“皇宫公寓”里的生存者们的故事。
在一家制度严苛的大公司从事人力资源工作的弗伦,日复一日面试新员工,观察他们的生活轨迹。与此同时,她隐瞒了自己刚怀孕的事实,在是否将孩子带入这个不确定世界的挣扎中,逐渐面对内心的恐惧与矛盾。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster