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大濛
方郁婷,柯炜林,汤毓绮,曾敬骅,陈以文,蔡昌宪,陈竹升,詹馥瑄,胡智强,陈俊成,刘冠廷,林美秀,谢章颖,林志儒,陈季霞,王传一,林雨宣,朱德刚,黄丞邦,廖邱堃,百白,许莉廷,江澄瑄,姜予,卢尉宁,纪亮竹,王明台,李雪,林道禹,王靖惇,李国强,林泽凯,萧东意,宋芸桦,潘丽丽,周家宽遇事别冲动
鹿超,宋杰,宋媛妖狐传
马倩倩,张竞达,王昭,朱利安一秒2026
郭晓婷,周国宾,党伟,邓钢天使的印迹:苦难
热拉尔·德帕迪约,乔伊·斯塔尔,玛尔特·克勒尔,蒂埃里·莱尔米特,汤姆·霍夫曼,马修·加里瑞,伊莲娜·诺古哈,吕迪格·福格勒爆旋陀螺电影版:激战!小龙VS大地
熊井统子,永泽菜教,竹内实生,高乃丽,折笠爱,久川绫,桑岛法子,菊地志穂,横山智佐,手塚ちはる,橘U子人气佳作
黎明杀祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,卢卡什·什切帕诺夫斯基,巴特罗米耶·托帕,Paulina Zwierz唤醒杀手
夏恩·韦斯特,莱丝莉·比伯,马特·克拉文情棺
刘尚麟披萨电影
伽塔·马塔拉佐,莎拉·谢尔曼,露露·威尔逊,肖恩·吉布朗尼,马库斯·斯克里布纳,凯莱布·希伦,佩顿·伊丽莎白·李,小克里斯·施密特,杰克·马丁,Shiv Pai,Adam Herschman,瑞安·米乔,Aidan Micho,Lucas Zelnick,Luke Burke,Chelsea Matkins,Tommy Armstrong,Lydia Hynes,Hyde Healy,Miguel-Andres Garcia导演精选
挑战未来3:残酷猎杀
利用《电子战场2》留下的片段和一条非常细的故事线,亚历克斯再次与1998年在非洲东部的机器人雇佣兵作战。这一次,亚历克斯发现她有20个半姐妹正在等她回到2077年。中央司令部希望亚历克斯被活捉并扫描,看看她的DNA是否比正常的DNA更强更有力。但是亚历克斯可能太苛刻了,不值得去捕捉。
别走
梅利莎·乔治、斯蒂芬·多尔夫主演的[别走](Don't Go,暂译)柏林电影节曝光首款剧照。该片故事讲述本(斯蒂芬·多尔夫饰)的女儿在事故中去世,而他相信自己可以在梦里将女儿带回来。本从此陷入现实和虚幻交错的空间。该片爱尔兰将于9月4日上映。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.