夏日恋人
迈克尔Michael（彼得加拉格尔饰）和达丽尔Daryl（达丽尔 ;汉纳饰）是一对恋人，他们来到希腊爱琴海中的圣托里尼岛欢度8周的暑假，住进闻名世界的度假小屋。迈克尔有意无意之间，迷上了他在天体角与之目遇的考古工作者莉娜Lina（瓦莱丽 ;凯内桑饰）一位为了逃避过往的法国美女。从此，开始了一段浪漫和有趣的三人行恋情。 迈克尔追求新欢的理由，仅仅是为了跳脱一成不变的生活模式，他鼓励女友达丽尔也去认识新的;朋友 。而达丽尔对感情的态度较为严谨，但又不愿男友厌弃自己，为了讨好迈克尔，她阅读了许多的情趣书籍，希望藉由不同的性游戏道具，甚至是SM的滴蜡烛液，来为感情加温。 好在莉娜的态度积极正面，除了一夜情之外，反而回过头来规劝迈克尔回到女友达丽尔的身边，同时也跟达丽尔成为交心好友。就在三人毫无隐瞒的告白之后，成就了一段三人行恋情的;夏日恋人
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剧情简介
迈克尔Michael（彼得加拉格尔饰）和达丽尔Daryl（达丽尔 ;汉纳饰）是一对恋人，他们来到希腊爱琴海中的圣托里尼岛欢度8周的暑假，住进闻名世界的度假小屋。迈克尔有意无意之间，迷上了他在天体角与之目遇的考古工作者莉娜Lina（瓦莱丽 ;凯内桑饰）一位为了逃避过往的法国美女。从此，开始了一段浪漫和有趣的三人行恋情。 迈克尔追求新欢的理由，仅仅是为了跳脱一成不变的生活模式，他鼓励女友达丽尔也去认识新的;朋友 。而达丽尔对感情的态度较为严谨，但又不愿男友厌弃自己，为了讨好迈克尔，她阅读了许多的情趣书籍，希望藉由不同的性游戏道具，甚至是SM的滴蜡烛液，来为感情加温。 好在莉娜的态度积极正面，除了一夜情之外，反而回过头来规劝迈克尔回到女友达丽尔的身边，同时也跟达丽尔成为交心好友。就在三人毫无隐瞒的告白之后，成就了一段三人行恋情的;夏日恋人
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.