变巨乳归来的青梅竹马
来到乡下度假的真一，突然被青梅竹马结女的胸部深深吸引。结女与以往不同，这次展现出成熟的气质。她沉浸于激情之中，任由真一抚摸自己的胸部，而结女则被深深吸引，甚至主动要求真一插艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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爆弹
山田裕贵,伊藤沙莉,染谷将太,渡部笃郎,佐藤二朗一个神秘中年男子醉酒后袭击了一台自动售货机和便利店店员，被警方拘留。他声称自己拥有超能力，并预测东京将有炸弹。从秋叶原爆炸事件算起，他预测接下来还会有三次爆炸，间隔一小时。随后，他一边回避着警察的询问，一边问一些有关炸弹的神秘“问题”。
本能反应
安东尼·霍普金斯,小库珀·古丁,唐纳德·萨瑟兰鲍威尔（安东尼•霍普金斯 Anthony Hopkins 饰）是一位专门研究黑猩猩的人类学家，他在卢旺达长期观察观察当地黑猩猩的活动。然而两年前，这位性情温和的学者突然性情大变，杀了两位当地的森林管理员以及伤害了多名管理员后神秘失踪。如今，他终于被逮捕归案，关押在美国高度戒严的精神病监狱。 年轻的精神病专家卡尔特（小库珀•古丁 Cuba Gooding 饰）意图揭开鲍威尔精神失常之谜而一举成名，于是他深入到监狱直接与鲍威尔进行对话。鲍威尔一开始对这位访客充满敌意，身为人类学家的他在卡尔特面前一点也不落下风。随着对话的逐渐深入，卡尔特渐渐了解到了事件真相：鲍威尔杀害的管理员其实是偷猎大猩猩的恶棍……
开着我的房车去旅行
秦宇,李芷珺,姿娜,王坤炎影片讲述了主人公周云飞因为梦想，踏上了自己的房车之旅，在旅程中他经历了许多事情，也体会到了很多道理。人生就是一场旅行，你一定要让你自己的人生，活的精彩，活的有价值。就这样，周云飞向着他新的人生方向奔赴而去的故事。
怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
与祖国同在
诺埃尔·考沃德,约翰·米尔斯,伯纳德·迈尔斯,西莉亚·约翰逊,凯·沃尔什,乔伊丝·凯里,德里克·艾尔菲斯通,迈克·怀尔登,Robert Sansom,菲利普·佛伦德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐纳德,迈克尔·惠特克,Kenneth Carten,约翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,莱斯利·德怀尔,John Singer,John Boxer,约翰尼·斯科菲尔德,沃尔特·菲茨杰拉德,杰拉尔德·凯斯,丹尼尔·梅西,Ann故事发生在一艘名为“托林号”的英国皇家海军驱逐舰上，在一场激烈的海战中，该驱逐舰击落了多驾敌机，创下了赫赫战功，但它也因为拼搏在战斗的第一线而伤痕累累，最终中弹起火。在舰长金洛斯（诺埃尔·考沃德 Noel Coward 饰）的要求之下，船员们放弃了托林号，塔上了救生艇，其中包括军士长沃尔特哈迪（伯纳德·迈尔斯 Bernard Miles 饰）和新兵肖蒂（约翰·米尔斯 John Mills 饰）等人。一行人在海上艰难漂泊，全凭意志和对家人的思念才勉强幸存，最终被一艘英国军舰救起，获救之时，刚开始浩浩荡荡的240名官兵，仅剩下19人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.