巨大女英雄凌辱 斗美神
邪恶的外星人来到奇洛，吮吸地上人的鲜血。地防队成员小光赶到事发地点并消灭了外星人。小光实际上是一个巨大的女英雄阿芙罗狄蒂，她一直在与外星人作战以保护地球的和平。齐罗星人对自己的同伴被杀并不生气，他们抓住了小光的搭档小月（铃木杏李）球员。一目了然，Chilo人看到这是阿芙罗狄蒂的光芒。他们不怕危险，就去营救小月。被敌人困住的小光被绑起来，看着小月遭到各种羞辱。与小月玩耍后，Chilo明星们吃了骨髓的味道，将魔鬼的魔掌扩展到了小光。在那之后，逃离的晓光把智多星族人全部消灭了，但她从没想过小岳被智多星族人洗脑了。小月变成巨人，与吸血恶魔龙一起对付小光。成为阿芙罗狄蒂之光，无法与小月战斗，并被吸血魔龙所侵犯
在线播放
剧情简介
邪恶的外星人来到奇洛，吮吸地上人的鲜血。地防队成员小光赶到事发地点并消灭了外星人。小光实际上是一个巨大的女英雄阿芙罗狄蒂，她一直在与外星人作战以保护地球的和平。齐罗星人对自己的同伴被杀并不生气，他们抓住了小光的搭档小月（铃木杏李）球员。一目了然，Chilo人看到这是阿芙罗狄蒂的光芒。他们不怕危险，就去营救小月。被敌人困住的小光被绑起来，看着小月遭到各种羞辱。与小月玩耍后，Chilo明星们吃了骨髓的味道，将魔鬼的魔掌扩展到了小光。在那之后，逃离的晓光把智多星族人全部消灭了，但她从没想过小岳被智多星族人洗脑了。小月变成巨人，与吸血恶魔龙一起对付小光。成为阿芙罗狄蒂之光，无法与小月战斗，并被吸血魔龙所侵犯
同类好片
绝命孤城
施骏喆,娄宇瑶,徐永革,赵晓明,冯可蜂蜜的针
袁泉,耿乐,宁静,俞飞鸿,齐溪,陈冲,孙悦,史可,余皑磊,李大光,杨子姗,刘雅瑟,窦靖童,马书良,焦刚,胡明情感价值
雷娜特·赖因斯夫,斯特兰·斯卡斯加德,英加·伊布斯多特·莉莉亚斯,艾丽·范宁,安德斯·丹尼尔森·李,加斯帕·克里斯滕森,莱娜·恩卓,科里·迈克尔·史密斯,凯瑟琳·科恩,Andreas Stoltenberg Granerud,Øyvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde Søyland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol幸福之路
张震,陈法拉,魏恺乐,莱斯·纳克里,雅南,汤姆·乌卡,杨佩里,王战,李海斌,郑礼莎,亚历克斯·维多夫,卡洛斯·罗德里格斯,丹尼尔·阿拉纳,萨拉·巴斯金,丹尼·博邦猪扒大联盟
李嘉欣,莫文蔚,林熙蕾,关秀媚,陈小春,冯德伦,黄浩然,杜德伟,郭少芸,陈键锋,许绍雄,卢海鹏,杜汶泽 Chapman To,邹凯光,叶竞生长白山猎人传说2
张浩,岳冬峰,王双宝,安建霖,岳训宇人气佳作
不死真相
埃里克·罗伯茨,桑德拉·布莱克,阿什莉妮可布莱克,Hope Blackstock,C.J. Stussi,伊莎贝拉·洛厄尔暗泳
怀亚特·拉塞尔,凯瑞·康顿,艾米丽·霍菲尔,加文·沃伦,南希·利内翰,本·辛克莱尔,乔迪·朗,埃迪·马丁内斯,普雷斯顿·加利,埃莉·阿莱扎,艾万·乌塔帕,埃莉诺·T·斯雷特,以利亚·J·罗伯茨疯狂的酒局
王李丹鈮,丁海峰,李国麟,杜玉明,徐光宇,韩三明,张贺,戴天,朱楒忆镖人：风起大漠
吴京,谢霆锋,于适,陈丽君,孙艺洲,此沙,李云霄,梁家辉,张晋,惠英红,张译,李连杰,刘耀文,熊瑾怡,莒谦朗,白那日苏,梁壁荧,文俊辉,董思成,林秋楠,景瓷,张艺泷,李嘉辉,寇占文,代乐乐,释彦能,徐向东,淳于珊珊,孟鹤堂,于荣光,陈少熙,赵箭,袁和平导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
像我这样的爱情
我们这样，是爱吗？阿妹天生患有脑性麻痹，性格却异常跳脱乐观，闲时会约朋友踩板吹水，画画作乐，二十多年来一直努力不被身体耽误。可是过度保护的母亲坚决安排她进行子宫切除手术，阿妹努力建立的生活再次失去平衡，她的身体永远是不由自主的。在朋友推荐下，阿妹找到了一个专为残疾人士提供性服务的自发组织，并认识了义工Ken。这无私的相遇仿佛抚慰了两个受伤的灵魂，那日渐累积的情愫冲淡了道德与身体的羁绊，这样的关系，是爱吗？ 谭惠贞继《以青春的名义》（第14届开幕电影）后第二部长片作品，将爱情元素和身障者性权益议题融合，成就一个道德探索与自我寻找的故事。
杨非与高俐
高俐醉酒被强哥等人绑架索赎金一亿，杨非因父需百万手术费赶路时车被同一伙劫匪抢走。二人相遇后，杨非助高俐斗绑匪，发现高俐与曾因治妻病抵押房产、借高利贷却致家庭破裂的父亲有矛盾。最终高俐获救，与父和解，杨非凑齐手术费，二人相恋。