乳房与月亮
别名: 月亮代表我的奶 / 乳房和月亮 / The Tit and the Moon/La teta i la lluna，小男孩阿泰（Biel Dur aacute;n 饰）正经历一连串的烦恼，人塔比赛他因恐惧无法爬上塔顶，母亲则为他生下一个小弟弟。弟弟的出生夺取了母亲对自己的爱，更夺去了之前只属于他的乳房。失望的阿泰对着月亮许愿，希望得到一对新的乳房。 许是美梦成真，不久后一个二人杂耍班子来到小镇。男人莫里斯（G eacute;rard Darmon 饰）放屁功夫了得，女人艾丝丽塔（Mathilda May 饰）则舞姿翩翩、丰满诱人。阿泰和小青年米盖（Miguel Poveda 饰）都迷上了性感的艾丝丽塔，他们为了心中的女神各显本领 本片荣获1994年威尼斯电影节Golden Osella奖最佳剧本奖。
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安吉丽娜·朱莉,阿尼尔·阿内伊,艾拉·朗夫,路易·加瑞尔,加朗斯·马里利埃,纪尧姆·马贝克,文森特·林顿,肖恩·格莱特,费尼肯·欧菲尔德,米格伦·米切夫,克斯蒂·伊尔维斯·萨维纳,阿黛尔·蒙特布尔,卡蒂亚·克里韦拉里,弗朗索瓦·菲利皮魔影袭人来
莱斯利·霍华德,劳伦斯·奥利弗,雷蒙德·马西,安东·沃尔布鲁克,埃里克·波特曼装袋计划
拉维·卡普尔,兰斯·金赛,Gill Gayle,戴安娜·李·伊诺桑托越战黑金刚
莱伯·布朗,凯瑟琳·希克兰,克劳迪奥·弗拉加索,卢西亚诺·皮格齐九十九首歌
Ehan Bhat,Edilsy Vargas,Tenzing Dalha,丽莎·蕾,玛尼沙·柯伊拉拉,Warina Hussain,Diwakar Pundir,Ranjit Barot,Rahul Ram,Ashwath Bhatt,Neel Tyagi,Chaitnya Sharma,Kurush Deboo,Burjor Patel,Kalyan Baruah我们是伯利恒
多洛蕾斯·方齐,卡米拉·普拉阿特,劳拉·帕雷德斯,朱丽叶塔·卡迪纳利,Sergio Prina,路易斯·马辛,凯撒·特龙科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam同类推荐
千万不要跟着我
Karla Coronado,扬克尔·史蒂文,Julia Maqueo卡拉梦为了成为知名的网红，决定在自己的公寓里伪造一场闹鬼事件。然而令她没想到是，她的行为意外招来了不怀好意的东西。
征服者2025
阿克夏耶·坎纳,马达范,兰维尔·辛格,桑杰·达特,阿俊·拉姆鲍,阿哈娜·卡姆拉,莎拉·阿尔琼,拉詹德拉纳斯·祖特施印度顶级间谍阿吉特·多瓦尔（Ajit Doval）在敌方领土上卧底，冒着一切风险收集情报并防止重大危机，巩固了他作为“印度詹姆斯·邦德”的遗产。
天启四骑士
丹尼斯·奎德,章子怡,卢·泰勒·普奇,小克利夫顿·克林斯兰斯林（丹尼斯·奎德 Dennis Quaid 饰）警官同时也是一个单身父亲，因公务繁忙，他无暇照顾两个儿子，大儿子亚历克斯无形中时常扮演父亲的角色。最近兰斯林被一桩连续杀人案缠住，每个凶案现场都发现了至少四名嫌疑人的踪迹，并且统一留下了“过来看”的血色留言，死者死于悬挂的状态充满了宗教意味，兰斯林从人体悬挂的铁架入手，发现这一干罪犯以杀人作为宗教仪式，并且以启示录中记载的“天启四骑士”自居。第一个受害者的华裔养女克里斯汀（章子怡 饰）主动找到兰斯林，坦承了自己与连续杀人案的关系，但是这不能阻止更多人受害，兰斯林惊见自己最不愿意看到的事情发生了……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
纽伦堡的审判
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔讲述二战后在纽伦堡提审德国纳粹计划的法律关系者，三个被告提审的原因是给犹太人施行断种手术。担任主审判长的是美国人赫鲁特，他主张其中两个被告无罪；而德国司法部长亚林克竟对此事保持沉默，但检查官罗森上校却激烈的指责被告，因此三个人展开激烈的辩论。审讯继续进行下去。而美国的高级官员们希望能在审判中获提德国所犯罪行的良好证明，因此对审判施以极大的压力，但赫鲁特坚守法律的正义立场，给予了最公正的判决。在宣布判决结果时，只有亚林对赫鲁特审判长的态度表示赞赏。