责罚
小酒馆玉之屋的女招待阿妙（宮下順子 饰），是一位美丽温良的女孩。某晚，她邂逅了足以改变她一生的男人——伊藤晴雨（山谷初男 饰）。伊藤是一个官能民俗学者，对古代花样百出的刑法有着深入的研究。他一度让自己几任妻子亲身再现这些刑罚，并将之拍成照片。阿妙为伊藤吊诡的世界所吸引，从此沉湎其中。这个看似柔弱的女子有着令人难以置信的忍耐力，为了超越伊藤的前妻，她可以忍受各种各样的酷刑。 伊藤似乎找到了真正的知音，但是这份和谐并未持续太久，阿妙不断显现出奇怪的举动。经诊断，她患有先天性麻痹，换言之即是梅毒。原来她的母亲（南寿美子 饰）曾作过娼妓，阿妙不幸被遗传，命不久矣…艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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崔智友,高东河六号关口
凯特·波茨沃斯,托马斯·克莱舒曼,卢锡安·拉维斯科特,马丁·麦凯恩肥龙过江
甄子丹,毛舜筠,周励淇,王晶,林秋楠,张继聪,竹中直人,丞威,渡边哲,王祖蓝,詹瑞文,陈友,伍允龙,林晓峰,周俊伟,林盛斌,泰臣,叶山豪,严华,喻亢,冯勉恒我们是伯利恒
多洛蕾斯·方齐,卡米拉·普拉阿特,劳拉·帕雷德斯,朱丽叶塔·卡迪纳利,Sergio Prina,路易斯·马辛,凯撒·特龙科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam加齐号的攻击
拉纳·达格巴提,凯·凯·门农,阿图尔·库尔卡尼暗夜鬼抓床
肖娜·麦克唐纳,Leah McNamara,罗斯·诺贝尔同类精选
包宝宝
丹尼尔·凯林,辛迪·劳害虫
宫崎葵,苍井优,田边诚一,凉,伊势谷友介告别武器
海伦·海丝,加里·库珀,阿道夫·门吉欧,玛丽·菲利普斯,杰克·拉鲁,布朗什·弗雷德里克,玛丽·福布斯,吉尔伯特·埃默里,爱丽斯· 亚岱尔,亨利·阿尔梅塔,赫尔曼·宾 ,Agostino Borgato,Robert Cauterio,玛塞勒·科尔代,基诺·科拉多,George Humbert,威廉·欧文,多丽丝·劳埃德,弗雷德·马拉泰斯塔,保罗·波尔卡西,Tom Ricketts,Frederick Sullivan肮脏的小把戏
迪恩·凯恩,Christie Burson,迈克尔·马德森阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地最小的女儿
纳迪亚·梅利蒂,朴智敏,阿米娜·本·莫哈迈德,梅丽莎·古尔斯,丽塔·邦曼纳纳,Razzak Ridha,路易·梅米,Waniss Chaouki,阿诺亚·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·谢夫曼,Gabriel Elkaïm,Vincent Pasdermadjian,Victorien Bonnet影视排行
巅峰猎杀
查理兹·塞隆,塔伦·埃哲顿,艾瑞克·巴纳,马特·惠伦,贝茜·霍兰德,亚伦·佩德森,罗伯·卡尔顿,邓肯·法洛,Julia Ohannessian,Niam Hogan,Willow Seager,扎卡里·加雷德,凯特琳·斯塔西为了考验自己的极限，莎夏（查理兹·塞隆 饰）深入偏僻无情的澳洲荒野，却发觉自己不只必须在严苛环境中奋勇求生，还得对抗一名残忍又危险的恶徒（塔伦·埃哲顿 饰）。
交响诗篇超进化1
名冢佳织十年前，发生了震撼世界的重大事件“第一次爱之夏”。兰顿失去了他的父亲阿德洛克，现在已经在边境城镇贝尔福雷斯特参加了塔州联盟军校。被称赞为英雄的已故父亲。 什么都没有的单调日常。兰顿身边的一切都很闷。 但在兰顿面前，世界上最古老的LFO尼尔瓦修突然出现。 从驾驶舱出 现的是优莱卡。兰顿和优莱卡的旅程将在哪里结束？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
克莱默夫妇
达斯汀·霍夫曼,梅丽尔·斯特里普,简·亚历山大,贾斯汀·亨利,霍华德·达夫,乔治·科,乔贝兹·威廉姆斯,比尔·穆尔,豪兰·张伯伦,杰克·拉梅奇,杰斯·奥苏纳,尼古拉斯·霍曼,埃朗·帕克,谢尔比·布拉默,卡萝尔·纳德尔,唐纳德·甘特里,朱迪丝·考尔德,彼得·洛兹,凯瑟琳·凯勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷尔克莱默夫妇像普通的美国夫妇一样，克莱默先生（达斯汀•霍夫曼 Dustin Hoffman 饰）在外工作挣钱，克莱默夫人（梅丽尔•斯特里普 Meryl Streep 饰）则在家照料照料6岁的儿子比利（贾斯汀•亨利 Justin Henry 饰）。由于克莱默先生忙于工作忽略了家庭，克莱默夫人某天愤然出走，留下了父子两。克莱默先生现在一方面要忙于工作，一方面又要照顾比利，生活一时陷入麻烦中。克莱默先生不善家务，在照料比利时洋相百出：第一次为比利煎西多士、过程十分恐怖；比利不吃饭要吃雪糕，克莱默先生想阻止却不懂沟通……幸好在女邻居的帮助下，克莱默先生逐渐适应了单身父亲的生活。父子两越来越亲密，互相依赖。这时，克莱默夫人回来了，她已经是纽约一名出色的设计师了。她回来要拿回比利的抚养权……