布利斯
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanAn advertising executive dies and goes to hell... except nothing changes. Well, his daughter is buying drugs with sexual favours from her brother, and the number of cancer-causing products is on the increase. But the notes he writes to himself to prove he hasn't gone insane are getting more disjointed, and he runs off with an ex-prostitute called Honey Barbera. Written by David...
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同款热播
KING OF PRISM -Your Endless Call- 大～家一起闪耀！PRISM☆TOURS
寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦《棱镜少男 KING OF PRISM》系列新电影
母亲往事
米洛·马查多·格拉纳,莱拉·贝蒂,约瑟芬·约比,乔纳森·科恩,安娜·勒尼,让娜·巴利巴尔,雪儿薇·瓦丹Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.
星途恶果
基努·里维斯,乔纳·希尔,卡梅隆·迪亚兹,马特·波莫,大卫·斯佩德,艾薇·沃尔克,凯雅·基伯,拉弗恩·考克斯,肖拉·阿德乌斯,苏珊·卢琪,卡里·克里斯托弗,冈冢敦子,Carlos Carrasco,韦尔克·怀特,尼古拉·尼克拉斐,埃文·沙夫兰,克里斯·里德,Paul Bartholomew,T.C. Amos IV,小罗伊·伍德好莱坞明星Reef Hawk（基努·里维斯 饰）被人以一个神秘视频进行勒索，形象和职业面临崩塌，他必须深入探索自己心中隐藏的恶魔。在多年好友Kyle（卡梅隆·迪亚兹 饰）、Xander（马特·波莫 饰）和应对危机的律师Ira（乔纳·希尔 饰）的帮助下，Reef展开了一场自我反省的旅程，要去补偿任何他可能辜负过的人，想搞清楚勒索者是谁。面临自己的过去，才能拯救自己的未来。
治疗尸
陈郡君,张立昂,蔡子,陈沛兴,钟丽芬,刘芷希如果灵魂离开了身躯，肉体还是正常活动，该怎么去解释这种生命形态？余燕（陈郡君饰）早晨醒来便觉得身体有异常，先后与家人和男友许德（张立昂饰）发生争执，盛怒的余燕转身离去，随后发生车祸。经医生抢救逃过死劫，却找不到心跳。此时她被劫走，醒来后身处在地下密室，研究失魂者的胡教授解释余燕会失去魂魄，是因为内心有强烈的负面磁场，一旦受到冲击，灵魂就会脱离身体。余燕需要在72小时内把自己的灵魂找回来，才能够恢复正常。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的邻居不是人
提拉达·迈特瓦拉育,Sarunrat Puagpipat,Bowkylion,Viyada Umarin,威绍特·汉莫拉,Vit Pacharapon Jantieng,Sasatorn Buain,Rujravi Jeeradechakul,Panisa Udomruangkiat,Katanyu Swangsri,Phunathat Wiwatphatthanaanan讲述了一对夫妻搬进梦想新家后的惊魂经历，事业有成的销售主管阿文与怀孕的妻子，本以为搬进了理想住所，却很快被隔壁邻居的诡异行为缠上。从深夜异响、楼道鬼影到家中物品莫名移位，超自然事件不断升级。随着调查深入，他们发现邻居并非普通住户，而是与男主的过去、家族禁忌甚至一场古老诅咒有着致命联系。所谓“家”，其实是一个早已布好的夺命囚笼。