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剧情简介
故事发生在上世纪70年代，17岁的夜店服务生艾迪（马克沃尔伯格 Mark Wahlberg 饰）天生拥有巨大的隐秘武器，一次间或机会，祂被色情片导演杰克（伯特 诺兹 Burt Reynolds 饰）看鈡。于是，艾迪改艺名为德克，在杰克的栽培丅在色情电影界大放异彩，成了该行业的天皇巨星。因为所拍影片都很卖座，杰克和德克名利双收，过着豪华无度的生活。然而进入80年代以后，色情电影工业发生了重大变化，过去辉煌的历史一去不返，德克和和杰克这对色情电影业的最佳拍档也分道扬镳
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美国暴力
布鲁斯·邓恩,丹妮丝·理查兹,凯维·莱曼-默塞尤,哥伦布·绍特,罗布·格隆科夫斯基,迈克尔·帕尔,约翰尼·梅辛纳,爱玛·里格比,尼克·齐兰德,帕特里克·基尔帕特里克,迈克尔·约翰·朗,米歇尔·圣托彼得罗,威洛·黑尔机械怪兽
乔治·纳德,Claudia Barrett遇见不同的遇见
高晓攀,李萌萌,李明,龚玥菲,刘德强,赵晋,张暘,郭京波,赵铭,王雪纯,金道鑫鑫,于时弈,刘乐铭疯狂天才
史宾塞·洛克,泰米娜·森尼,法兰·塔希尔,斯科特·麦克洛维茨,丽维·陈,克里斯·梅森,格本加·阿金纳格贝,brandon scott,klement tinaj,derek s. orr,nicole fahel超声
文森特·卡塞瑟,切尔西·洛佩兹,布瑞达·伍尔,滕德·艾德比佩,蕾妮·库利,鲍勃·斯蒂芬森,达娜·林恩·拜伦,Jim Boeven,Chris Dougherty,波特·琳·杨,Tony Evangelista,达维达·威廉姆斯,马克·伯恩汉姆,Cheryl Dent,Gabe Fonseca不信地狱
南相美,柳承龙导演精选
地窖2024
一对夫妇在流产后想要重新开始，他们发现自己得到了梦寐以求的房子，但有一个条件--他们永远不能打开地窖的门。他们能否在不知情的情况下生活下去，这引发了令人震惊的后果。
奥本海默
当我们为权力金钱焦虑、兴奋与愤怒时，却根本想象不到“他们”在谈论着怎样更重要的事情。随着战争阴云笼罩世界上空，各国紧锣密鼓抓紧军事竞赛。为了抢占先机，美国陆军中将莱斯利·格罗夫斯（马特·达蒙 Matt Damon 饰）找到量子力学与核物理学领域的扛鼎人物罗伯特·奥本海默（基里安·墨菲 Cillian Murphy 饰），力荐其担任曼哈顿计划的首席科学家以及洛斯阿拉莫斯国家实验室的总负责人。经过两年争分夺秒的研发，硕大的蘑菇云终于在荒原的上空腾起，也宣告着绞肉机一般的二战即将落下帷幕。奥本海默有如将火种带到人间的普罗米修斯，可是对人性的参悟和对未来的担忧迫使他走向与政府相悖的道路。更可悲的是，凡人钟情的物欲也将一世天才裹挟至炼狱之中，永世燃烧……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.