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暴风雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
纳粹僵尸
Matthew Baunsgard,达米安·罗扎内克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
正面还是反面？
娜迪亚·特列什科维奇,亚历桑德罗·博尔吉,约翰·C·赖利,皮特·蓝萨尼,米尔科·阿图索,加布里埃莱·西里,吉昂尼·嘉科,罗伯特·阿兰·帕卡德,乔吉欧·曼涅提,萨蒂·勒泼因特,费德里科·阿克罗尼,伊曼努埃拉·奥纳吉,布鲁诺·迪·吉奥瓦尼,塞弗里诺·斯佩兰迪欧,杜门尼克·奇奥兹,薇欧拉·索尔达尼,克劳狄欧·卡斯托利20世纪初，在一场致命的牛仔竞技后，罗莎与她的情人踏上逃亡之路，穿越意大利荒野，试图摆脱追捕。他们的身后，是传奇人物“水牛比尔”——他不仅是追踪者，更是掌控故事的人。他拒绝改写自己版本的真相，而罗莎的命运也因此被卷入一段被掩盖的往事。随着旅程深入，逃亡逐渐演变为一场关于身份、记忆与叙事权的较量。在现实与传说交织的边界上，罗莎必须决定是否继续逃避，或重新掌握属于自己的故事。
灵菁传
胡悦,龚小钧,孟璐,何聪睿,吴骁栩,曾语乔前世将军养女与兄长因禁忌之恋生死相离，今生化身白蛇与姐妹游戏人间，却爱上旧人之子，在宿命纠葛下开启极致人妖虐恋。
孤岛巨蟒
程汁,唐慧,彭梦涵,吴泳茵,芦伟游船遇风暴沉没，陆霆、女友陈清、李娜、陈清闺蜜马樱（陆霆前女友）漂至荒岛。众人遭巨蟒袭击，得探险者遗物求生。马樱因妒生事，后联合落难驾驶员王强，王强却被巨蟒吞噬，马樱悔悟坦白。巨蟒掳走陈清，众人设伏，马樱与巨蟒同归于尽。数月后，陆霆、李娜乘直升机获救。