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我们很危险
埃拉娜·詹姆斯,瑞玛·特·维塔,Nathalie Morris西南偏南电影节剧情片竞赛。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
抢钱大作战
吉奥瓦尼·瑞比西,范·迪塞尔,尼娅·朗,尼基·凯特,本·阿弗莱克,汤姆·艾弗瑞特·斯科特19岁的少年赛斯·戴维斯（吉奥瓦尼·瑞比西 Giovanni Ribisi饰）一心希望能尽快淘到自己的第一桶金，好让父亲另眼相看。他本打算靠玩非法纸牌起家，却发现此路根本行不通，直到一家名为J.T.马林经纪公司的股票经纪商找上了赛维斯。 在这个号称“锅炉房”的核心办公室里，多少个一夜间成为百万富翁的故事深深诱惑着赛维斯。很快，野心勃勃的赛维斯便以优异的成绩通过了股票经济人认证考试，开始了他的“成功之路”。他把那些永远都没有前途的股票卖给利欲熏心的投资者。赛维斯正以极危险的速度追逐着金钱与利益，靠近着他所谓的功成名就，贪婪而不安。在纽约长岛这个瞬息万变的商业圈里，良心未泯的赛维斯终于开始面对良心的考验。
LAST MAN-全盲搜查官- FAKE／TRUTH
福山雅治,大泉洋,永濑廉,今田美樱,松尾谕,今井朋彦,奥智哉,木村多江,吉田羊,松本若菜,吉田钢太郎,向井康二全盲的FBI特別搜查官皆实广见（福山雅治 饰）被称为“终结一切案件的最后王牌”。他自日本研修返美后，警视厅搜查一课的护道心太朗（大泉洋 饰）前往美国受训，两人在华盛顿与纽约继续加深“无敌搭档”的默契。半年后心太朗归国，两人再次分隔两地。 2025年，皆实因电视节目回到日本，却遭遇电视台被全副武装的恐怖分子占领。他与主播播摩美咲（松本若菜 饰）、首相五之桥义实（吉田钢太郎 饰）等人被劫持，对方威胁若拿不出10亿美元赎金，将在东京引爆炸弹，引爆前所未有的危机。得知皆实被囚的心太朗火速赶往现场，却发现负责接待皆实的佐久良（吉田羊 饰）已隐藏在内部——一场跨国搭档再度携手的极限救援正式拉开序幕。
哈佛少女的快乐清单
蓓尔·波利,内森·连恩,加布里埃尔·伯恩,瓦妮莎·贝尔,科林·奥多霍诺,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·贾甘纳坦,扎卡里·因凡特,安迪·布斯蒂罗斯,玛哈蕾·赫沙姆,乔尔·迈克利,斯科特·启治·武田,科妮莉亚·格斯特凯丽（蓓尔·保利 Bel Powley 饰）是名声大噪的天才少女，18岁便获得了哈佛大学的毕业证书。虽然每个人都觉得凯丽拥有着前途无量的未来，但对于凯丽来说，每一天她都生活在郁闷和沮丧之中。凯丽的母亲自幼就离开了她，如今，相依为命的父亲派尔必（加布里埃尔·伯恩 Gabriel Byrne 饰）竟然也决定组建新的家庭。 察觉到了凯丽的彷徨，父亲将名为佩特罗夫（内森·连恩 Nathan Lane 饰）的心理医生介绍给了凯丽，佩特罗夫给了凯丽一份清单，上面罗列着六项任务，佩特罗夫向凯丽保证，只要她完成了这两项任务，就能够重新找回快乐，一切真的如他所说的那么简单吗？
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
王胜：紫色
王胜...