母女的秘密授课
真哲和慧静是恋人。但是两人的性关系都很生疏，所以对彼此很失望。向真哲告别的慧静。振哲说朋友暻秀有性爱之神，劝朋友接受教育。性爱的申一九日接受了陈哲，进行了巨大的训练。生就的早泄的铁开始一点一点地好起来。通过与女助教的实战，成为变强铁的振哲。堂堂正正地去见慧静。用巨大的精力满足慧静的振哲艾旦影视
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剧情提要
真哲和慧静是恋人。但是两人的性关系都很生疏，所以对彼此很失望。向真哲告别的慧静。振哲说朋友暻秀有性爱之神，劝朋友接受教育。性爱的申一九日接受了陈哲，进行了巨大的训练。生就的早泄的铁开始一点一点地好起来。通过与女助教的实战，成为变强铁的振哲。堂堂正正地去见慧静。用巨大的精力满足慧静的振哲艾旦影视
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster