按摩师的技术
场景 1.（和我的noona一起学习）一个女人一个人学习很困难，当一个人学习对她来说太过分时，她会把她的男同学带到她家。当那个男人责骂她为什么在家学习而不是在图书馆学习时，他的noona说她觉得在家学习更舒服。看了一会儿书后，女人说她累了，会休息一会儿，然后开始睡觉。她的同学因为穿着紧身裤睡着了而无法专心学习，开始摸索女人的身体。场景 2.（信用卡债务和女朋友）一个男人正在为他的信用卡债务而苦苦挣扎。他只能找到一个办法来还清，那就是在房间里安装一面可以覆盖整面墙的玻璃镜子，然后在镜子后面安装摄像头，偷偷录制性爱视频。安装后，他打电话给女朋友到那个房间来，但看了玻璃镜子后，她开始问那是什么。场景 3.（与女大学生一起按摩）一名男子在一家提供商务旅行按摩的女大学生按摩院打电话给按摩师。然而，来他家做客的女人是一个看起来40多岁的好女人，虽然他不喜欢她，但他已经等不及了，所以他只是得到了按摩。按摩师的手变得越来越粘，两人最终开始在床上纠缠并发生性关系。
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剧情简介
场景 1.（和我的noona一起学习）一个女人一个人学习很困难，当一个人学习对她来说太过分时，她会把她的男同学带到她家。当那个男人责骂她为什么在家学习而不是在图书馆学习时，他的noona说她觉得在家学习更舒服。看了一会儿书后，女人说她累了，会休息一会儿，然后开始睡觉。她的同学因为穿着紧身裤睡着了而无法专心学习，开始摸索女人的身体。场景 2.（信用卡债务和女朋友）一个男人正在为他的信用卡债务而苦苦挣扎。他只能找到一个办法来还清，那就是在房间里安装一面可以覆盖整面墙的玻璃镜子，然后在镜子后面安装摄像头，偷偷录制性爱视频。安装后，他打电话给女朋友到那个房间来，但看了玻璃镜子后，她开始问那是什么。场景 3.（与女大学生一起按摩）一名男子在一家提供商务旅行按摩的女大学生按摩院打电话给按摩师。然而，来他家做客的女人是一个看起来40多岁的好女人，虽然他不喜欢她，但他已经等不及了，所以他只是得到了按摩。按摩师的手变得越来越粘，两人最终开始在床上纠缠并发生性关系。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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