播放通道
详细简介
同类推荐
血爱杀手
平采娜·乐维瑟派布恩,塔纳波·里拉塔纳卡邹,西瓦功·阿达苏提坤女孩从小被杀手家族囚禁抚养，只因她拥有罕见的血型，成为各方势力觊觎的“移动血库”。当宿敌卷土重来，她被迫与家族里守护她的杀手联手，打破囚笼，在枪林弹雨中为自己的生存杀出一条血路，也在并肩作战中，确认了两人之间早已滋生的爱情。
情棺
刘尚麟摸金校尉白术为拯救被逼与丞相之子秦庭至配阴婚的意中人苏青，决定进行招魂仪式，却未曾想三人彻底陷入阴婚诅咒，身困三生三世的虐恋纠缠……
如来神掌2020
邹兆龙,巫迪文,唐菲,黄一飞龙剑北因为要筹钱救自己病重的妹妹，在一次机缘巧合之下，接触到神秘组织黑羽会，黑羽会不断在做人体实验，企图造出拥有超能力的改造人。为了钱，龙剑北接受超能力改造。由于控制不了体内的超能力，龙剑北拜了一位老者为师，学习驾驭超能力，学会了如来神掌，并结识了一位武林中的名门正派，二人一同上路，展开了各种紧张刺激的冒险……
忠勇之家
葛丽亚·嘉逊,沃尔特·皮金,特雷莎·怀特,梅·惠蒂,雷吉纳德·欧文,亨利·崔佛斯,理查德·内伊,亨利·威尔克松,Christopher Severn,Brenda Forbes,Clare Sandars,Marie De Becker,赫尔穆特·丹丁,约翰·阿伯特,Connie Leon,里斯·威廉姆斯,Harry Allen,Frank Atkinson,Sybil Bacon,弗兰克·贝克故事发生在一九三九年的夏天，克里姆（沃尔特·皮金 Walter Pidgeon 饰）和妻子米尼佛夫人（葛丽亚·嘉逊 Greer Garson 饰）住在英国郊外，两人结婚多年，生了三个孩子，生活幸福美满。克里姆的大儿子韦恩（理查德·内伊 Richard Ney 饰）爱上了花会创办人的孙女贝尔（特雷莎·怀特 Teresa Wright 饰），情投意合的两人很快走到了一起。战争开始了，韦恩想要为国效忠，赶往了前线，而克里姆和米尼佛夫人则在后方支援。某日，一名德国飞行员受伤闯入了米尼佛夫人的后花园，米尼佛夫人凭借着自己的勇敢与智慧协助警察成功将其捉拿。米尼佛夫人和贝尔小姐在送韦恩前往驻地的途中遭遇了空袭，一时间凶多吉少。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster