除衫女郎
一位妻子让一位脱衣舞女朋友招待她的丈夫，脱衣舞女被妻子的丈夫吸引了很长时间，并试图勾引艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他的妻子是停止行动，还是加入行动？
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同款热播
惊蛰无声
易烊千玺,朱一龙,宋佳,雷佳音,杨幂,张译,刘诗诗,刘耀文,林博洋,潘斌龙,姚安娜,段奕宏,陈明昊,江奇霖,王圣迪,黄炎,飞凡你看不见的地方，谍战从未停止交锋！我国最新战机的涉密信息外泄，国家安全面临威胁，国安小组迅速行动抓捕间谍，在信任与背叛的漩涡中，一场惊心博弈悄然上演……
安娜和世界末日
艾拉·亨特,马尔科姆·卡明,莎拉·斯维尔,克里斯托弗·莱沃,玛里·休,本·威金斯,马克·本顿,保罗·凯耶,肖恩·康纳,约翰·温切斯特,艾拉·贾维斯,杰基·伯德一部混杂音乐剧和丧尸电影的喜剧片，这部僵尸歌舞片的框架基于2010年英国电影学院奖获奖短片《僵尸音乐剧》（暂译）（ZombieMusical），讲述了一大波僵尸穷追猛打一撮人，他们边唱边打，不断求生的故事。电影取景地为苏格兰，由艾拉·亨特出演安娜，马克·本顿饰演安娜的父亲，保罗·凯耶出演反派。
漆黑如夜
Lukas Haas,凯文·杜兰故事发生在某个毗邻原始森林的小镇，一家伐木公司正在林中作业，这时白雪飘然落下，作业暂时停止，然而随即便发生了残酷血腥的事件。与此同时，警长保罗·希尔德（凯文·杜兰德 Kevin Durand 饰）和新来的搭档唐尼刚刚敷衍完几个报警事件，随后驱车来到前妻苏珊（Bianca Kajlich 饰）的家中，接走儿子亚当（Ethan Khusidman 饰）回自家居住。一夜无事，次日一早，保罗在门口发现硕大的脚印，而且脚印遍布小镇主干道，一直延伸到森林深处。巨大的脚印在小镇闹得人心惶惶，保罗起初绝不相信妖精怪物一类的传说，但是恐怖血腥的事件接二连三发生，让小镇陷入前所未有的恐慌之中。 危机渐次逼近……
致命玩笑
海耶斯·麦克阿瑟,杰西卡·麦克娜美,基尔·奥唐纳一对兄弟姐妹在一家偏僻的汽车旅馆里度过了一个可怕的恶作剧之夜。
惊变28年2：白骨圣殿
阿尔菲·威廉姆斯,拉尔夫·费因斯,杰克·奥康奈尔,基里安·墨菲,艾玛·莱尔德,毛拉·伯德,艾琳·凯利曼,齐·刘易斯-帕里,罗伯特·罗兹,萨姆·洛克,吉哈兹·艾尔·鲁法埃,娜塔莉·库斯托,Elliot Benn末日丧钟再度敲响，带领观众直视人性毁灭的炼狱，感染者的威胁和幸存人类的邪恶。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster